Christgau indicates from the start that he is “hardly self-effacing in print,” but anyone who borrows his subtitle from...
A veteran rock critic takes readers deeper into the recesses of his thought processes than many might wish to venture.
Even more than most memoirs, this is a book that only its author could write. As the self-anointed “Dean of American Rock Critics,” Christgau (Christgau's Consumer Guide: Albums of the '90s, 2000, etc.) could have written about the seismic cultural changes he has observed and analyzed; or about how rock music, originally dismissed as kids’ stuff, gave him a career he has never outgrown, a vocation that didn’t exist before he began writing seriously about rock and popular culture during the mid-1960s; or about the progression of the music (he goes deepest here into New York punk and hip-hop); or about the changes in journalism or the proliferation of cultural criticism (and celebrity journalism). Christgau does touch those bases, fleetingly, but any number of other writers could explore those areas. What no one else could write about in such detail are the author’s IQ, childhood memories, romantic relationships and sex life. And no one but a critic—and this critic in particular—would write like this about the woman he would marry: “Sex was hot, crucial and engrossing, but not simple—she was pickier and more changeable than I was used to in hot relationships, and my faulty pleasure receptors, while not impinging on my performance quote unquote, generated emotional disconnects as they gradually righted themselves.” As his work for a variety of publications confirms, he is a provocative and perceptive critic and, by all accounts (including his own), a good editor. But his focus here is so narrowly self-absorbed that the most engaged readers will not be those who care most about the culture at large but his journalistic colleagues and contemporaries, who will want to see how they are treated and what scores he settles.
Christgau indicates from the start that he is “hardly self-effacing in print,” but anyone who borrows his subtitle from James Joyce would never be accused of false humility.Pub Date: Feb. 24, 2015
ISBN: 978-0-06-223879-5
Page Count: 384
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 20, 2014
Kirkus Reviews Issue: Jan. 1, 2015
PERSPECTIVES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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