Christgau indicates from the start that he is “hardly self-effacing in print,” but anyone who borrows his subtitle from...
by Robert Christgau ‧ RELEASE DATE: Feb. 24, 2015
A veteran rock critic takes readers deeper into the recesses of his thought processes than many might wish to venture.
Even more than most memoirs, this is a book that only its author could write. As the self-anointed “Dean of American Rock Critics,” Christgau (Christgau's Consumer Guide: Albums of the '90s, 2000, etc.) could have written about the seismic cultural changes he has observed and analyzed; or about how rock music, originally dismissed as kids’ stuff, gave him a career he has never outgrown, a vocation that didn’t exist before he began writing seriously about rock and popular culture during the mid-1960s; or about the progression of the music (he goes deepest here into New York punk and hip-hop); or about the changes in journalism or the proliferation of cultural criticism (and celebrity journalism). Christgau does touch those bases, fleetingly, but any number of other writers could explore those areas. What no one else could write about in such detail are the author’s IQ, childhood memories, romantic relationships and sex life. And no one but a critic—and this critic in particular—would write like this about the woman he would marry: “Sex was hot, crucial and engrossing, but not simple—she was pickier and more changeable than I was used to in hot relationships, and my faulty pleasure receptors, while not impinging on my performance quote unquote, generated emotional disconnects as they gradually righted themselves.” As his work for a variety of publications confirms, he is a provocative and perceptive critic and, by all accounts (including his own), a good editor. But his focus here is so narrowly self-absorbed that the most engaged readers will not be those who care most about the culture at large but his journalistic colleagues and contemporaries, who will want to see how they are treated and what scores he settles.
Christgau indicates from the start that he is “hardly self-effacing in print,” but anyone who borrows his subtitle from James Joyce would never be accused of false humility.Pub Date: Feb. 24, 2015
ISBN: 978-0-06-223879-5
Page Count: 384
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
Categories: BIOGRAPHY & MEMOIR | CURRENT EVENTS & SOCIAL ISSUES
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PERSPECTIVES
by Robert Greene ‧ RELEASE DATE: Sept. 1, 1998
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: July 15, 1998
Categories: GENERAL BIOGRAPHY & MEMOIR | BIOGRAPHY & MEMOIR | PHILOSOPHY & RELIGION | PSYCHOLOGY | HISTORICAL & MILITARY
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BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
Categories: BIOGRAPHY & MEMOIR | HOLOCAUST | HISTORY | GENERAL BIOGRAPHY & MEMOIR | GENERAL HISTORY
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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