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BECOMING DICKENS

THE INVENTION OF A NOVELIST

An insightful argument occasionally marred by somewhat tangential and glib analysis.

A literary biography of Charles Dickens focused on his life and work during the 1830s.

Douglas-Fairhurst (English/Magdalen Coll., Oxford; Victorian Afterlives: The Shaping of Influence in Nineteenth-Century Literature, 2002) writes that reviewers of the great author’s early work in the Monthly Magazine found his stories to be “a choice bit of humour, somewhat exaggerated” and “clever,” which was a backhanded compliment from the British press. These comments apply to Becoming Dickens as well. Douglas-Fairhurst frequently makes clever connections of dubious significance to his overall argument. In his otherwise useful examination of “A Dinner at Poplar Walk,” Dickens’ first published story, he pauses on the line “an appalling creaking of boots,” which he admits “has nothing to do with the main thrust of the story.” But he insists the word “boots” is important: “The notion that somebody’s personality resides in his boots is closely connected to Dickens’s interest in theater, where an actor trying to establish a character might decide to work from the bottom up but not get much further than choosing the right kind of footwear.” This kind of close reading permeates the book, often slowing the narrative momentum, but the author’s central argument, about the ways in which events in Dickens’ life shaped his fiction, is a worthy one. While writing later in life about a near-brush with acting, Dickens remarked, “See how near I may have been to another sort of life.” Douglas-Fairhurst shows demonstrates how the idea that a person could have just as easily ended up a clerk or a thief as a writer preoccupied Dickens and found its way into his fiction. The biographical concerns connect strongly and effectively to the literary material.

An insightful argument occasionally marred by somewhat tangential and glib analysis.

Pub Date: Oct. 17, 2011

ISBN: 978-0-674-05003-7

Page Count: 360

Publisher: Belknap/Harvard Univ.

Review Posted Online: July 19, 2011

Kirkus Reviews Issue: Aug. 1, 2011

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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  • Kirkus Reviews'
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  • National Book Award Winner


  • Pulitzer Prize Finalist

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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