A hard-boiled crime drama that lacks well-defined characters or a comprehensible plot.



A luckless gambler goes on the run after refusing a mission from a loan shark in Downs’ (Penchant for Vengeance, 2017, etc.) novella.

In this brief noir pastiche, desperate, recovering alcoholic Johnny Chapman passes out during a card game from an unspecified condition. He regains consciousness after one of the other players finds pills in his pocket and shoves them in his mouth; Johnny had been prescribed them by a man in a white lab coat. However, he then loses the rest of his chips. He tries to drink away his sorrows and has a brief encounter with former girlfriend Gwendoline, who’s mixed up in vague troubles of her own. She watches Johnny get severely beaten in the bar, then later threatens to shoot him while rehashing the end of their past relationship. The next day, she gets fired from her job, punches her boss, and get knocked over by a teenager in the street. Meanwhile, a loan shark, whose money Johnny lost in the poker game, threatens to kill him if he doesn’t inject a racing dog with a hormone that will somehow make it lose a race. (They already tested the hormone on Johnny, while he was sleeping.) Johnny reluctantly agrees but ultimately can’t bring himself to do it. While on the lam, he robs a bank, gets robbed twice, and gets into a lot of fights with strangers. The story is full of confusing contradictions, incomprehensible motivations, and dropped plot threads; for example, after the opening scene, neither the headaches nor the pills are mentioned. The violence is miraculously consequence-free, and Johnny kills several people—including a convenience-store clerk—without remorse. It’s all set in a version of Albuquerque where everybody still uses Blackberrys and police are mostly absent. Downs also offers cartoonish dialogue (“If your trap opens again, I’ll hit you so hard your grandchildren will feel the blow”) and elaborately mixed metaphors (“Maybe it was some dream on some horizon that was just out of reach, pushing and pulling him, and bouncing him around like a red rubber ball on an open field”).

A hard-boiled crime drama that lacks well-defined characters or a comprehensible plot.

Pub Date: Dec. 2, 2017

ISBN: 978-1-62694-817-4

Page Count: 166

Publisher: Black Opal Books

Review Posted Online: Feb. 15, 2018

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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More Hallmarkiana, from a shameless expert in the genre.


High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

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