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PINK CADILLAC

The drama of the hunt doesn't match the passion and life-and-death issues of the original participants, but the pervasive...

A “musical novel” about the blues and Elvis from short-fiction writer and poet Dunn pays dutiful homage to the birth of rock’n’roll through romance and a roadhouse murder mystery—but without a whole lot of intensity. The pink Caddy enters the scene carrying Elvis, who blows by a pretty young singer thumbing her way to an uncertain musical future. Meanwhile, a young white sax player with rocking riffs impresses black blues impresario Bearcat Jackson, who asks him to join his roadhouse band on the outskirts of Memphis. The singer, Daisy, and the saxman, Dell, join forces in Bearcat's band, sparking on stage and off and creating a sound that draws the King himself, but it's still the ’50s in the American South, and powers-that-be conspire to take everything Bearcat owns—including his life. That's the main story, but cobbled onto it is a record collector's search 40 years later for the one disc of Daisy and Dell that Bearcat recorded, “Pink Cadillac,” which almost no one believes ever existed.

The drama of the hunt doesn't match the passion and life-and-death issues of the original participants, but the pervasive passion for music does provide the novel with a steady heat.

Pub Date: Sept. 25, 2001

ISBN: 0-9708293-0-2

Page Count: 390

Publisher: Coral Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2001

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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