An entertaining sword-and-politics saga full of engrossing period detail and sharp drama.
Ancient Rome boils with sordid power plays, constant intrigue, full moon rituals, and eruptions of bloodshed in Eckert’s sprawling historical novel.
The author paints a panorama of the Roman Empire in the year 193, starting with the murder of the vile Emperor Commodus by Laetus, commander of the Praetorian Guard, after the leader attempts to rape Laetus’ betrothed. Pertinax is promptly elected emperor by the Senate, and he proves modest and competent but also impolitic and stingy; after he fails to pay the city watchmen their customary bribes, he’s unceremoniously stabbed to death. The Praetorians then massacre the city watch, sell the emperorship to one Didius Julianus for 25 gold pieces per Guardsman, and force the Senate to vote him in at spearpoint. The loathed and inept Julianus tries everything to keep his shaky hold on power, including drinking the blood of a rabbit sacrificed to the goddess Hecate. But powerful rivals—the governors of Britannia and Egypt; the rough-hewn general Septimius Severus—soon try to overthrow him with their legions. Throughout the upheavals, Eckert’s narrative focuses on the household of Sen. Marcus Tullius, his daughter Tullia, and those they’ve enslaved as they navigate a time when a careless comment could get one branded an emperor’s enemy. As it portrays real events (with a few embellishments), Eckert’s tale steeps readers in all things Roman—from wedding ceremonies to military drills to Rome’s traffic jams—and ably dissects a society structured around complex hierarchies and in which survival requires currying favor with the powerful; even casual conversations and actions are calculated for advantage. The author’s vivid, nuanced prose conveys the subtle tensions that besiege his characters as well as the brutality that awaits those who incorrectly parse them: “I order that his lying tongue be torn out by the roots, and that he be hung by his hands from a bar and flogged until death,” declares a judge of the loser in a lawsuit. The result is a captivating page-turner.
An entertaining sword-and-politics saga full of engrossing period detail and sharp drama.Pub Date: Dec. 7, 2022
ISBN: 9781667873176
Page Count: 801
Publisher: BookBaby
Review Posted Online: May 25, 2023
Kirkus Reviews Issue: July 15, 2023
Review Program: Kirkus Indie
PERSPECTIVES
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
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