Not a tremendously hopeful work, but Gordon's audaciousness in regarding the condemned as creative citizens is memorable and...
A surprising—and frequently searing—examination of the prison experience, seen from both inside and out.
Novelist Gordon (When Bobby Kennedy Was a Moving Man, 1993) ran intensive writing workshops in Washington State prisons for nine years, until funding was ignominiously truncated. He initially explores the contemporary explosion in incarceration, noting that imprisonment rates have doubled in the last decade, even while the American people are "in no hurry to lay claim to the prisoners in our midst." As implied by his title, he views this reluctance to consider the realities of the imprisonment surge as akin to willful blindness in the face of a ghastly, distorted civic reflection. In contrast, his enthusiasm for his prison teaching experience is palpable: he offers strong tales of prisoners who found release and grace in writing, and discovered the joys of its inherent craftsmanship. Gordon maintains a wry, informed stance that strengthens his arguments regarding prisoner humanity and the pure (and vicious) moral relativism that prisons breed—particularly in the "get-tough" era, when even education and the simplest privileges are stripped away. Additionally, he culls a variety of memorable pieces in distinctive voices from the current and former prisoners he's taught. Yet their writing surges with edgy awareness and hard-won insights: memorable essays range from an attempted murderer's chillingly humorous tips on prison survival ("Commit an Honorable Crime . . . Keep a Good Porn Collection") to a twice-convicted rapist—now held indefinitely according to new Orwellian notions of civil commitment—recounting the violence and contempt accorded sex offenders (who stand lowest on the convict pecking order, along with snitches). Gordon's finely honed stance is most haunting: he draws difficult conclusions regarding the humanity of his charges, he portrays their absurdist moments of honesty or altruism, and he testifies convincingly about the power of writing to foster discipline and engagement with the world—perhaps to stifle criminal nihilism.
Not a tremendously hopeful work, but Gordon's audaciousness in regarding the condemned as creative citizens is memorable and gripping.Pub Date: Aug. 1, 2000
ISBN: 0-87422-198-6
Page Count: 128
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2000
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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