Overstuffed with disturbing imagery and not for the faint-hearted, but seductive and occasionally amusing in its gloomy way.

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SINS OF THE ASSASSIN

Biologically enhanced combatants beat the stuffing out of each other in a race to recover secret weapons buried in the final days of the good old U.S.A. in the second volume of Ferrigno’s Assassin Trilogy (Prayers for the Assassin, 2006).

Think things are bad now? Wait until you see the year 2043 when America has split into the Islamic Republic, the Bible Belt and Mormon Territories. The long threatened rise of sea levels has isolated the bulk of Florida; Mexico is nibbling at the border; and the geosynchronous satellites that made communications a breeze have been blown to smithereens in outer-space pile-ups. It is a gloomy world indeed. Black-robed fundamentalists roam the streets of the American Islamic Republic like Talibani on steroids, inflicting justice on the spot, and in the Bible Belt militias and gangs of thugs seem to hold the balance of power outside Atlanta, capital of the Christian states. Neither nation is capable of turning out the scientists or engineers needed to keep up their infrastructure, but they do know how to turn out splendid soldiers along the lines of superskilled Islamic assassin Rakkim Epps, who appeared in the trilogy’s first volume. Rakkim, now middle-aged, would like some time to enjoy domestic life with his brilliant wife Sarah and little son Michael, but his president needs him to infiltrate the Bible Belt, where government forces secretly search for a bit of dark technological magic buried in a Southern mountaintop. Rakkim normally works alone, but on this assignment he is saddled with Leo, a brilliant but spectacularly naïve Jewish computer nerd with no soldierly skills. The unlikely team infiltrate the Belt via the Texas coast. Deadly encounters pile up, Leo falls in love, a surgically enhanced sadist threatens at every step and, back in Seattle, Rakkim’s family is in great danger from the black robes, and everyone is manipulated by an evil and immortal mastermind somewhere at sea.

Overstuffed with disturbing imagery and not for the faint-hearted, but seductive and occasionally amusing in its gloomy way.

Pub Date: Feb. 1, 2008

ISBN: 978-1-4165-3765-6

Page Count: 400

Publisher: Scribner

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Nov. 15, 2007

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This is fast-paced, nonstop fun. Cussler fans will gobble it up.

JOURNEY OF THE PHARAOHS

Rumors of lost Egyptian treasure spark high adventure in this 17th in the NUMA series featuring oceanographer Kurt Austin and his crew (Sea of Greed, 2018, etc.).

Over 3,000 years ago, grave robbers sail away with loot from a pharaoh’s tomb. In 1927, Jake Melbourne and his plane disappear in his attempt at a trans-Atlantic flight. In the present day, arms merchants known as the Bloodstone Group have taken to stealing antiquities. They are looking for a “treasure both vast and glorious” that hieroglyphics say was shipped down the Nile and out of Egypt, perhaps even west across the Atlantic. (Holy scurvy! That must’ve been a lot of hard rowing!) The criminals are known to MI5 as “very dangerous people" and "merchants selling death.” Perfectly willing to kill everyone in their way, they are aided by mechanical crows and Fydor and Xandra, nasty sibling assassins jointly called the Toymaker. Such are the foes faced by Austin and his team from the National Underwater and Marine Agency. Of course, Austin has no interest in profit; he will gladly leave the ancient riches wherever they are. Action arrives early and often, and the failed pre-Lindbergh flight fits in neatly. Cussler and Brown concoct a nifty plot with disparate, sometimes over-the-top twists that will make even hardcore adventure fans say “Wow!” Expect claustrophobic gunfights, aerial combat, a life-threatening flood, messages from the dead, coffins of gold—and a vintage classic car, because why not? “We’re going to steal the greatest deposit of Egyptian treasure the world has ever known,” brags the evil mastermind. But he’ll have to climb over the series hero’s dead body first, which—no plot spoiler here—ain’t gonna happen.

This is fast-paced, nonstop fun. Cussler fans will gobble it up.

Pub Date: March 10, 2020

ISBN: 978-0-593-08308-6

Page Count: 432

Publisher: Putnam

Review Posted Online: Jan. 13, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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