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AIN'T IT TIME WE SAID GOODBYE

THE ROLLING STONES ON THE ROAD TO EXILE

Based in the London bureau of Rolling Stone, American journalist Greenfield (A Day in the Life: One Family, the Beautiful...

A rock journalist mines the same vein for the third time, parlaying his brief access to the Rolling Stones into a short book that reads more like an annotated magazine article.

Based in the London bureau of Rolling Stone, American journalist Greenfield (A Day in the Life: One Family, the Beautiful People, and the End of the Sixties, 2009, etc.) enjoyed exclusive access to the Stones’ farewell tour of Britain, before tax issues (and drug laws) sent the band on self-imposed exile. Such access would be impossible to imagine today, and perhaps the main value of this book, written 40 years after the fact but expanding on a feature that he filed for the magazine at the time, is the difference between the rock life then and now. The Stones could actually move about without causing riots when they were recognized, and a journalist could just hang around without anyone questioning his presence. The author had never seen the Stones perform before 1970 and has never seen them again in concert since 1972, so his window of experience is narrow, though his insights into the relationship between Mick Jagger and Keith Richards remain valid (if familiar). That 1971 tour found Jagger courting his future wife, Bianca, (a marriage that the author asserts “put the final nail in the coffin of the personal relationship between Mick and Keith”) and Richards out of control (and rarely on time) with heroin. The account provides a short companion piece to the book Greenfield wrote with greater detail, but less exclusivity, on the Stones’ subsequent tour of the United States (S.T.P., 1974).

Pub Date: May 13, 2014

ISBN: 978-0-306-82312-1

Page Count: 216

Publisher: Da Capo

Review Posted Online: March 30, 2014

Kirkus Reviews Issue: April 15, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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