by Robert Greenfield ‧ RELEASE DATE: May 13, 2014
Based in the London bureau of Rolling Stone, American journalist Greenfield (A Day in the Life: One Family, the Beautiful...
A rock journalist mines the same vein for the third time, parlaying his brief access to the Rolling Stones into a short book that reads more like an annotated magazine article.
Based in the London bureau of Rolling Stone, American journalist Greenfield (A Day in the Life: One Family, the Beautiful People, and the End of the Sixties, 2009, etc.) enjoyed exclusive access to the Stones’ farewell tour of Britain, before tax issues (and drug laws) sent the band on self-imposed exile. Such access would be impossible to imagine today, and perhaps the main value of this book, written 40 years after the fact but expanding on a feature that he filed for the magazine at the time, is the difference between the rock life then and now. The Stones could actually move about without causing riots when they were recognized, and a journalist could just hang around without anyone questioning his presence. The author had never seen the Stones perform before 1970 and has never seen them again in concert since 1972, so his window of experience is narrow, though his insights into the relationship between Mick Jagger and Keith Richards remain valid (if familiar). That 1971 tour found Jagger courting his future wife, Bianca, (a marriage that the author asserts “put the final nail in the coffin of the personal relationship between Mick and Keith”) and Richards out of control (and rarely on time) with heroin. The account provides a short companion piece to the book Greenfield wrote with greater detail, but less exclusivity, on the Stones’ subsequent tour of the United States (S.T.P., 1974).Pub Date: May 13, 2014
ISBN: 978-0-306-82312-1
Page Count: 216
Publisher: Da Capo
Review Posted Online: March 30, 2014
Kirkus Reviews Issue: April 15, 2014
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Reyna Grande ‧ RELEASE DATE: Aug. 28, 2012
A standout immigrant coming-of-age story.
In her first nonfiction book, novelist Grande (Dancing with Butterflies, 2009, etc.) delves into her family’s cycle of separation and reunification.
Raised in poverty so severe that spaghetti reminded her of the tapeworms endemic to children in her Mexican hometown, the author is her family’s only college graduate and writer, whose honors include an American Book Award and International Latino Book Award. Though she was too young to remember her father when he entered the United States illegally seeking money to improve life for his family, she idolized him from afar. However, she also blamed him for taking away her mother after he sent for her when the author was not yet 5 years old. Though she emulated her sister, she ultimately answered to herself, and both siblings constantly sought affirmation of their parents’ love, whether they were present or not. When one caused disappointment, the siblings focused their hopes on the other. These contradictions prove to be the narrator’s hallmarks, as she consistently displays a fierce willingness to ask tough questions, accept startling answers, and candidly render emotional and physical violence. Even as a girl, Grande understood the redemptive power of language to define—in the U.S., her name’s literal translation, “big queen,” led to ridicule from other children—and to complicate. In spelling class, when a teacher used the sentence “my mamá loves me” (mi mamá me ama), Grande decided to “rearrange the words so that they formed a question: ¿Me ama mi mamá? Does my mama love me?”
A standout immigrant coming-of-age story.Pub Date: Aug. 28, 2012
ISBN: 978-1-4516-6177-4
Page Count: 320
Publisher: Atria
Review Posted Online: June 11, 2012
Kirkus Reviews Issue: July 1, 2012
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