Not a great read, then, but fans may be interested.
The life of the actor, best known for his starring role in the long-running sitcom Benson.
The illegitimate son of an abused and emotionally unstable mother, Robert Guillaume was born in 1927 in St. Louis, where he grew up in poverty, raised mostly by his grandmother, a cleaning woman, and got his first taste of performing by singing in the church choir. He’d had a successful career as a stage actor, singer, and comedian, most notably in the revue Jacques Brel Is Alive and Living in Paris, before being offered the part of Benson, the sharp-tongued butler on the comedy Soap, for which he won an Emmy in 1979. The character was later spun off into his own series, which ran for seven seasons on ABC, from 1979 to 1986. When Benson went off the air, Guillaume continued to work steadily, appearing in several short-lived television series and starring in the title role of the Los Angeles production of The Phantom of the Opera. His career almost came to a halt in 1999 when he suffered a minor stroke on the set of the critically acclaimed “dramedy” Sports Night (on which he played producer Isaac Jaffee), an incident that was put into the show’s plotline to avoid writing out the character. Since then the actor has been slowly recovering—hence the reflective mood this autobiography finds him in. Although he’s endured more than his share of hardship—the poverty and racial discrimination of his youth, his stroke, the death of his son Jacques from AIDS—he doesn’t succumb to hand-wringing, and while the prose is often stilted, and the pacing somewhat uneven, he comes across as serious about his craft and candid about the mistakes he’s made along the way.
Not a great read, then, but fans may be interested.Pub Date: Nov. 1, 2002
ISBN: 0-8262-1426-6
Page Count: 224
Publisher: Univ. of Missouri
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2002
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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