by Robert Hardman ‧ RELEASE DATE: April 15, 2012
A reverential look inside the intricate workings of Queen, Inc.—likely to appeal mostly to British readers and royal...
A courtier’s fawning portrait of the longed-lived, thoroughly modern monarch.
At 60 years on the throne, Queen Elizabeth II celebrates her Diamond Jubilee in 2012. According to British royal biographer Hardman (A Year with the Queen, 2007, etc.), she has never been so well loved and appreciated by her people for he r many virtues. The author examines the success of her long reign in terms of her ability to confront the “anachronistic pantomime” of the hereditary institution and institute reforms (whether she liked it or not), as she was forced to do with Lord Airlie’s royal-efficiency controls put in place in the ’80s. The royal household resumed paying taxes, thus becoming self-sufficient and managing to prove to the British government its continued relevancy and independence. Hardman rehearses the highs and lows of the queen’s reign, from her triumphal accession in 1952 and world tour a year later, to the frequently abominable behavior of her wayward children, the fire at Windsor Castle in 1992 and aftermath of the death of Lady Diana. Things could only get better. Since the ’90s, the palace staff has modernized, computerized, consolidated dining rooms, opened the pool and royal opera box to more democratic use and acquired an in-palace dairy. The queen makes dizzying tours of her Commonwealth every year and has been served by a dozen British prime ministers, no longer choosing them herself. Except for a rare glimpse at her temper in an unguarded, human moment caught on film in 1954 (hurling shoes and curses at the fleeing Duke of Edinburgh, her husband), Elizabeth II remains in this stately portrait as enigmatic (or merely blank) as she ever was.
A reverential look inside the intricate workings of Queen, Inc.—likely to appeal mostly to British readers and royal watchers.Pub Date: April 15, 2012
ISBN: 978-1-60598-361-5
Page Count: 384
Publisher: Pegasus
Review Posted Online: Jan. 9, 2012
Kirkus Reviews Issue: Jan. 15, 2012
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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