A hair-raising story well told with sympathy and respect, particularly in the treatment of the heroic Filipinos, modest men...

READ REVIEW

THE STOWAWAY

Two Romanian refugees stow away on a stateless container ship, in a tale based on horrifying true incidents of cruelty and salvation.

Hough (The Final Confession of Mabel Stark, 2003) puts the novel to noble use in this well-researched treatment of the real-life rescue of one Romanian out of the thousands who fled the ruins of Ceausescu’s hideous regime. Relying on sketchy information from compatriots who have made it from Eastern Europe to North America, college-educated Daniel Pacepa teams with ex-miner Gheorghe Mihoc on the dangerous journey through Yugoslavia to the free West until they reach the Spanish port of Algeciras, where they hope to sneak onto a freighter that will take them across the Atlantic. It is their understanding that once discovered on board, they will be taken care of and dropped safely off at the next port. The reality is that many crews see stowaways as too troublesome to deal with. Indeed, the captain of the ship they board has recently forced a pair of refugees to leave the ship for a leaky improvised raft, and the Spanish shore is littered daily with the bodies of other stowaways. The multinational crew members of the Maersk Dubai are divided in their sentiments. The Chinese officers are capable of murder, the Filipino crew can’t stomach the official cruelty. Before the trusting Romanians can expose themselves to the officers, the Filipinos secrete them below-deck and feed them on the sly. The safety of the stowaways depends on a desperate message describing their wretched state sent by one of the crew to a sympathetic priest in Houston, but, in mid-ocean, Houston is removed from the itinerary.

A hair-raising story well told with sympathy and respect, particularly in the treatment of the heroic Filipinos, modest men with very big hearts.

Pub Date: Sept. 1, 2004

ISBN: 1-55970-745-3

Page Count: 240

Publisher: Arcade

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: July 1, 2004

Did you like this book?

No Comments Yet

A strange, subtle, and haunting novel.

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

  • IndieBound Bestseller

THE GLASS HOTEL

A financier's Ponzi scheme unravels to disastrous effect, revealing the unexpected connections among a cast of disparate characters.

How did Vincent Smith fall overboard from a container ship near the coast of Mauritania, fathoms away from her former life as Jonathan Alkaitis' pretend trophy wife? In this long-anticipated follow-up to Station Eleven (2014), Mandel uses Vincent's disappearance to pick through the wreckage of Alkaitis' fraudulent investment scheme, which ripples through hundreds of lives. There's Paul, Vincent's half brother, a composer and addict in recovery; Olivia, an octogenarian painter who invested her retirement savings in Alkaitis' funds; Leon, a former consultant for a shipping company; and a chorus of office workers who enabled Alkaitis and are terrified of facing the consequences. Slowly, Mandel reveals how her characters struggle to align their stations in life with their visions for what they could be. For Vincent, the promise of transformation comes when she's offered a stint with Alkaitis in "the kingdom of money." Here, the rules of reality are different and time expands, allowing her to pursue video art others find pointless. For Alkaitis, reality itself is too much to bear. In his jail cell, he is confronted by the ghosts of his victims and escapes into "the counterlife," a soothing alternate reality in which he avoided punishment. It's in these dreamy sections that Mandel's ideas about guilt and responsibility, wealth and comfort, the real and the imagined, begin to cohere. At its heart, this is a ghost story in which every boundary is blurred, from the moral to the physical. How far will Alkaitis go to deny responsibility for his actions? And how quickly will his wealth corrupt the ambitions of those in proximity to it? In luminous prose, Mandel shows how easy it is to become caught in a web of unintended consequences and how disastrous it can be when such fragile bonds shatter under pressure.

A strange, subtle, and haunting novel.

Pub Date: March 24, 2020

ISBN: 978-0-525-52114-3

Page Count: 320

Publisher: Knopf

Review Posted Online: Nov. 25, 2019

Kirkus Reviews Issue: Dec. 15, 2019

Did you like this book?

No Comments Yet

Fierce, poetic, uncompromising.

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

  • IndieBound Bestseller

THE CITY WE BECAME

This extremely urban fantasy, a love/hate song to and rallying cry for the author’s home of New York, expands her story “The City, Born Great” (from How Long ’Til Black Future Month, 2018).

When a great city reaches the point when it's ready to come to life, it chooses a human avatar, who guides the city through its birthing and contends with an extradimensional Enemy who seeks to strike at this vulnerable moment. Now, it is New York City’s time to be born, but its avatar is too weakened by the battle to complete the process. So each of the individual boroughs instantiates its own avatar to continue the fight. Manhattan is a multiracial grad student new to the city with a secret violent past that he can no longer quite remember; Brooklyn is an African American rap star–turned–lawyer and city councilwoman; Queens is an Indian math whiz here on a visa; the Bronx is a tough Lenape woman who runs a nonprofit art center; and Staten Island is a frightened and insular Irish American woman who wants nothing to do with the other four. Can these boroughs successfully awaken and heal their primary avatar and repel the invading white tentacles of the Enemy? The novel is a bold calling out of the racial tensions dividing not only New York City, but the U.S. as a whole; it underscores that people of color are an integral part of the city’s tapestry even if some white people prefer to treat them as interlopers. It's no accident that the only white avatar is the racist woman representing Staten Island, nor that the Enemy appears as a Woman in White who employs the forces of racism and gentrification in her invasion; her true self is openly inspired by the tropes of the xenophobic author H.P. Lovecraft. Although the story is a fantasy, many aspects of the plot draw on contemporary incidents. In the real world, white people don’t need a nudge from an eldritch abomination to call down a violent police reaction on people of color innocently conducting their daily lives, and just as in the book, third parties are fraudulently transferring property deeds from African American homeowners in Brooklyn, and gentrification forces out the people who made the neighborhood attractive in the first place. In the face of these behaviors, whataboutism, #BothSides, and #NotAllWhitePeople are feeble arguments.

Fierce, poetic, uncompromising.

Pub Date: March 24, 2020

ISBN: 978-0-316-50984-8

Page Count: 448

Publisher: Orbit

Review Posted Online: Nov. 25, 2019

Kirkus Reviews Issue: Dec. 15, 2019

Did you like this book?

No Comments Yet
more