This series opener is funny, mystical, and endearing, if flawed; here’s hoping Baylor continues his journey with a more...
A pair of twins, one living and one dead, facilitate communication between the two communities.
The dead appreciate Baylor Bosco for his help communicating with their loved ones. The living struggle to understand or embrace those messages, especially if they involve a botched family recipe. Living white boy Baylor and his ghost twin sister, Kristina, have set a clear afterlife arrangement. Baylor relays the messages, and Kristina handles crowd control. One night their supernatural bond is threatened when a dark spirit visits Baylor in his bedroom. Unsettled and unable to get answers, Kristina and Baylor search both worlds for answers. Whatever problems lie ahead, they will face them together. In his debut, Imfeld creates in Baylor, Kristina, and their band of friends kids who could be found in any middle school. Well-rounded but not perfect, each main character has a moment to shine. However, for all the depth of the white protagonists, the side characters are given short shrift and occasionally even reduced to stereotype. Evoking a Latina’s accent with rolled R’s and phonetic spellings and describing a black character's hair as “out-of-control” distract readers and mar this work. Baylor's adventures will intrigue, excite, and captivate young readers, but they also risk alienating young brown and black children looking for adventure.
This series opener is funny, mystical, and endearing, if flawed; here’s hoping Baylor continues his journey with a more multidimensional cast. (Fantasy. 10-14)Pub Date: Oct. 4, 2016
ISBN: 978-1-4814-6636-3
Page Count: 320
Publisher: Aladdin
Review Posted Online: July 1, 2016
Kirkus Reviews Issue: July 15, 2016
BOOK REVIEW
It’s the haunting details of those around Kai that readers will remember.
Kai’s life is upended when his coastal village is devastated in Japan’s 2011 earthquake and tsunami in this verse novel from an author who experienced them firsthand.
With his single mother, her parents, and his friend Ryu among the thousands missing or dead, biracial Kai, 17, is dazed and disoriented. His friend Shin’s supportive, but his intact family reminds Kai, whose American dad has been out of touch for years, of his loss. Kai’s isolation is amplified by his uncertain cultural status. Playing soccer and his growing friendship with shy Keiko barely lessen his despair. Then he’s invited to join a group of Japanese teens traveling to New York to meet others who as teenagers lost parents in the 9/11 attacks a decade earlier. Though at first reluctant, Kai agrees to go and, in the process, begins to imagine a future. Like graphic novels, today’s spare novels in verse (the subgenre concerning disasters especially) are significantly shaped by what’s left out. Lacking art’s visceral power to grab attention, verse novels may—as here—feel sparsely plotted with underdeveloped characters portrayed from a distance in elegiac monotone. Kai’s a generic figure, a coat hanger for the disaster’s main event, his victories mostly unearned; in striking contrast, his rural Japanese community and how they endure catastrophe and overwhelming losses—what they do and don’t do for one another, comforts they miss, kindnesses they value—spring to life.
It’s the haunting details of those around Kai that readers will remember. (author preface, afterword) (Verse fiction. 12-14)Pub Date: Jan. 12, 2016
ISBN: 978-0-553-53474-0
Page Count: 272
Publisher: Crown
Review Posted Online: Sept. 15, 2015
A satisfying story of family, friendship and small-town cooperation in a 21st-century world.
Sent to stay with octogenarian relatives for the summer, 14-year-old Mike ends up coordinating a community drive to raise $40,000 for the adoption of a Romanian orphan. He’ll never be his dad's kind of engineer, but he learns he’s great at human engineering.
Mike’s math learning disability is matched by his widower father's lack of social competence; the Giant Genius can’t even reliably remember his son’s name. Like many of the folks the boy comes to know in Do Over, Penn.—his great-uncle Poppy silent in his chair, the multiply pierced-and-tattooed Gladys from the bank and “a homeless guy” who calls himself Past—Mike feels like a failure. But in spite of his own lack of confidence, he provides the kick start they need to cope with their losses and contribute to the campaign. Using the Internet (especially YouTube), Mike makes use of town talents and his own webpage design skills and entrepreneurial imagination. Math-definition chapter headings (Compatible Numbers, Zero Property, Tessellations) turn out to apply well to human actions in this well-paced, first-person narrative. Erskine described Asperger’s syndrome from the inside in Mockingbird (2010). Here, it’s a likely cause for the rift between father and son touchingly mended at the novel's cinematic conclusion.
A satisfying story of family, friendship and small-town cooperation in a 21st-century world. (Fiction. 10-14)Pub Date: June 9, 2011
ISBN: 978-0-399-25505-2
Page Count: 256
Publisher: Philomel
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
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