An evenhanded assessment of “a likable narcissist” who, the author maintains, changed Americans’ perceptions of racial...
The making of the author of “the two most important works in black culture in the twentieth century.”
Alex Haley (1921-1992) rose to fame with two books, The Autobiography of Malcolm X (1965) and Roots (1976), the basis of a miniseries viewed by as many as 130 million. Norrell (History/Univ. of Tennessee; Up From History: The Life of Booker T. Washington, 2009, etc.) brings a broad background in African-American history to this well-researched portrait of a controversial writer. Haley’s early publications appeared in Reader’s Digest, for which he wrote profiles of “talented African Americans who had overcome great obstacles and remained humble, unchanged by great success.” His breakthrough project, however, focused on a far different man: Malcolm X, the incendiary spokesman of the Black Muslims. Malcolm allowed Haley to write his autobiography, subject to his approval. “A writer is what I want, not an interpreter,” Malcolm declared. Malcolm’s biographer, Manning Marable, described Haley as “opportunistic, bourgeois, and politically conservative” compared to his subject, and Norrell agrees that Haley aimed “to maximize both its sensational value and its commercial success.” Praised by most reviewers, the book sold 2 million copies in its first years. Still, Haley was always in debt, eager for publishing contracts and speaking gigs “to address his financial woes.” He once proposed a self-help book aimed at white readers called “How to Co-Exist with Negroes.” A more salable project was his own family’s history, beginning with their roots in Africa. Haley’s editors at Doubleday questioned whether the book was fact or fiction since some passages “were based on Haley’s guessing about facts and eliding evidence.” The decision to call it nonfiction, Norrell asserts, was a mistake and opened Haley up to charges of misrepresentation. The scandal that ensued dogged him for the rest of his career.
An evenhanded assessment of “a likable narcissist” who, the author maintains, changed Americans’ perceptions of racial history.Pub Date: Nov. 10, 2015
ISBN: 978-1-137-27960-6
Page Count: 272
Publisher: St. Martin's
Review Posted Online: July 27, 2015
Kirkus Reviews Issue: Aug. 15, 2015
BOOK REVIEW
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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