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A MEMORY OF LIGHT

Will wolves and orcs—or whatever they are—take over the world, or will the good guys prevail? Jordan’s fans, who are legion,...

“There are no endings, and never will be endings, to the turning of the Wheel of Time.” Even so, with this volume, the late Jordan’s hyperinflated Wheel of Time series grinds to a halt.

Jordan (Eye of the World, 1990, etc.), here revived by way of the extensive notebooks, drafts and outlines he left behind by amanuensis Sanderson (Creative Writing/Brigham Young Univ.), was an ascended master of second-tier Tolkien-ism; the world he creates is as densely detailed as Middle-earth, and if the geography sounds similar, pocked with place names such as Far Madding and the Blasted Lands, that’s no accident. Tolkien-esque, too, is the scenario for this saga-closer, namely a “last battle” in which the forces of good are arrayed against those of darkness. The careless reader might take this to be a battle of hairdressers in a West Indian neighborhood: “The Dreadlords came for him eventually, sending an explosion to finish the job. Deepe spent the last moments throwing weaves at them. He died well.” That’s not the case, of course; instead, saga heroes Mat Cauthon and Perrin Aybara range the lands beyond the Dark One’s prison to do all manner of good and adventuresome things. It’s a strange world, that: Perrin finds the pit to end all pits, “[a]n eternal expanse, like the blackness of the Ways, only this one seemed to be pulling him into it.” But then, what kind of epic would it be if it weren’t a strange place?

Will wolves and orcs—or whatever they are—take over the world, or will the good guys prevail? Jordan’s fans, who are legion, will most decidedly want to learn the answer to that question.

Pub Date: Jan. 8, 2013

ISBN: 978-0-7653-2595-2

Page Count: 912

Publisher: Tor

Review Posted Online: Jan. 8, 2013

Kirkus Reviews Issue: Jan. 15, 2013

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THE HOUSE IN THE CERULEAN SEA

A breezy and fun contemporary fantasy.

A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.

Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.

A breezy and fun contemporary fantasy.

Pub Date: March 17, 2020

ISBN: 978-1-250-21728-8

Page Count: 352

Publisher: Tor

Review Posted Online: Nov. 10, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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THE PRIORY OF THE ORANGE TREE

A celebration of fantasy that melds modern ideology with classic tropes. More of these dragons, please.

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After 1,000 years of peace, whispers that “the Nameless One will return” ignite the spark that sets the world order aflame.

No, the Nameless One is not a new nickname for Voldemort. Here, evil takes the shape of fire-breathing dragons—beasts that feed off chaos and imbalance—set on destroying humankind. The leader of these creatures, the Nameless One, has been trapped in the Abyss for ages after having been severely wounded by the sword Ascalon wielded by Galian Berethnet. These events brought about the current order: Virtudom, the kingdom set up by Berethnet, is a pious society that considers all dragons evil. In the East, dragons are worshiped as gods—but not the fire-breathing type. These dragons channel the power of water and are said to be born of stars. They forge a connection with humans by taking riders. In the South, an entirely different way of thinking exists. There, a society of female mages called the Priory worships the Mother. They don’t believe that the Berethnet line, continued by generations of queens, is the sacred key to keeping the Nameless One at bay. This means he could return—and soon. “Do you not see? It is a cycle.” The one thing uniting all corners of the world is fear. Representatives of each belief system—Queen Sabran the Ninth of Virtudom, hopeful dragon rider Tané of the East, and Ead Duryan, mage of the Priory from the South—are linked by the common goal of keeping the Nameless One trapped at any cost. This world of female warriors and leaders feels natural, and while there is a “chosen one” aspect to the tale, it’s far from the main point. Shannon’s depth of imagination and worldbuilding are impressive, as this 800-pager is filled not only with legend, but also with satisfying twists that turn legend on its head. Shannon isn’t new to this game of complex storytelling. Her Bone Season novels (The Song Rising, 2017, etc.) navigate a multilayered society of clairvoyants. Here, Shannon chooses a more traditional view of magic, where light fights against dark, earth against sky, and fire against water. Through these classic pairings, an entirely fresh and addicting tale is born. Shannon may favor detailed explication over keeping a steady pace, but the epic converging of plotlines at the end is enough to forgive.

A celebration of fantasy that melds modern ideology with classic tropes. More of these dragons, please.

Pub Date: Feb. 26, 2019

ISBN: 978-1-63557-029-8

Page Count: 848

Publisher: Bloomsbury

Review Posted Online: Dec. 22, 2018

Kirkus Reviews Issue: Jan. 15, 2019

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