A disturbing and frightening but highly informative tale, with encouragement for fellow sufferers.
Bosscha’s memoir takes a harrowing tour through the mind of a Canadian man diagnosed with encephalopathy.
The author’s experience with encephalopathy (“an umbrella term encompassing brain diseases, damage, or malfunctions that manifest both physically and mentally”) officially began one day in February, when the contractor working on his condominium found him on the floor experiencing a full-body seizure. For the next three months, Bosscha was hospitalized as doctors worked to analyze, diagnose, and treat him for the mysterious illness that felled him (in addition to a variety of other serious ailments that were discovered during the many rounds of testing). The author’s comprehensive account of this period is derived from hospital reports and conversations with family members—he has almost no recollection of the time he spent hospitalized. What he does remember, in vivid, extraordinary detail, are what he has labeled his “encephalopathic dreams,” or “e-dreams.” Though he appeared to be conscious, eating and talking, his speech was incoherent to those around him—at times, he appeared to be psychotic. Bosscha was essentially living in and reacting to an alternate reality constructed by his brain. Imaginative, emotional, and occasionally hallucinatory, the e-dreams, invisible to those around him, were able to create memories, and the author posits that the e-dreams were a bridge between reality and his unconscious, keeping his brain active and aiding in his partial recovery. This complex memoir is well organized, with the dream sequences, which make up a substantial portion of the text, formatted in italics. (As is often the case when listening to someone else’s dreams, these passages occasionally feel laboriously long.) The sections providing information that Bosscha himself does not remember are supplemented with personal commentary boxes about the lengthy diagnostic processes and his feelings looking back upon his experiences. The concluding chapters center around his life today, detailing the lingering confusion and the methods he has devised to retrain his brain, which is still partially damaged and causes him periods of anxiety. This story of survival provides insight into a world that is little understood.
A disturbing and frightening but highly informative tale, with encouragement for fellow sufferers.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: N/A
Review Posted Online: June 27, 2025
Review Program: Kirkus Indie
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
SEEN & HEARD
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