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REVERSIBLE ERROR

Manhattan Assistant D.A. Butch Karp and his colorful crew (Immoral Certainty, 1990, etc.) return for their fourth 70's-set end run against Gotham's worst—this engrossing time out, against a serial rapist and a murderous conspiracy reaching far into the halls of power. Once again, Tanenbaum, now a Beverly Hills councilman, draws deeply on his own past tenure in Karp's post, tracing with bedrock authenticity the A.D.A.'s internal conflicts as he is asked by a trusted top cop to cover up an investigation into a rash of drug- dealer killings (the work of a vigilante cop whose exposure will tear apart the NYPD?) and at the same time is wooed by a cabal of fat cats to run for the post of D.A. Expertly counterpointed to Karp's political tightroping is the suspenseful police street-hunt for the killer, focusing on a trio of Harlem-based cops whose extralegal tactics (including simulated torture) Tanenbaum describes with vibrant grit. And in a major subplot rife with 70's period detail and legalistic flourish, Karp's pregnant fiancÇe, Marlene Ciampi, goes after a smug serial rapist who graduates to murder. Then Karp learns that the cabal backing him for D.A. may be behind the killings, looking to score millions in drugs by eliminating their competition; the cops begin to fear that their own lieutenant is the killer—until he's kidnapped by the cabal; and Ciampi's case takes a bizarre turn as a corrupt judge springs the rapist. Can a series of Karp-engineered stings and a last- minute rescue attempt bring the scales of justice back into balance? You can smell the Big Apple starting to rot as Tanenbaum bores into its mealy core for another uncommonly intelligent legal/cop entertainment.

Pub Date: April 10, 1992

ISBN: 0-525-93423-5

Page Count: 304

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 1992

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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