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FIERCE PATRIOT

THE TANGLED LIVES OF WILLIAM TECUMSEH SHERMAN

Although O’Connell excuses Sherman’s excesses—he was the man we wanted, after all—he does show us his humanity with...

An admiring triptych of the Civil War hero—or villain, depending on your loyalties—popular cultural figure and family man.

Military history scholar O’Connell (The Ghosts of Cannae: Hannibal and the Darkest Hour of the Roman Republic, 2010) does not discover a lot about William Tecumseh Sherman (1820-1891) that he doesn’t like. He divides his text into three major sections. The first, and by far the longest, begins with the arrival of the 16-year-old Sherman at West Point in 1836 (“he was beginning a process that would induct him into a warrior elite, forging bonds that would last a lifetime”) and follows him to the end of the Civil War. In the second section, O’Connell focuses on Sherman’s relationships with his men and on his soldiering. We hear (as we do in the first section) about his men’s restraint during the March to the Sea through Georgia and the Carolinas. Sure, they burned houses and scavenged food and supplies, but they didn’t rape or murder anyone. The final section of the triptych chronicles Sherman’s family life: the early death of his father; his foster family (the politically powerful Ewings); his marriage to his foster sister, Ellen; his children (one son became a priest, a decision that angered Sherman); and his lovers (among them, sculptor Vinnie Ream). The author shows us a garrulous Sherman, a man who had difficulties in his banking career, a highly skilled administrator, a fearless leader, a man who bonded with Ulysses Grant (their relationship cooled when Grant pursued the presidency), and a leader who loved the adulation he enjoyed throughout his post–Civil War days—from his former soldiers and the general public.

Although O’Connell excuses Sherman’s excesses—he was the man we wanted, after all—he does show us his humanity with impressive clarity.

Pub Date: July 1, 2014

ISBN: 978-1-4000-6972-9

Page Count: 416

Publisher: Random House

Review Posted Online: May 6, 2014

Kirkus Reviews Issue: May 15, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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