by Robert Macfarlane ‧ RELEASE DATE: Aug. 2, 2016
Lucent, lyrical prose evokes Macfarlane’s aesthetic, ethical, and powerfully tactile response to nature’s enchantments.
A prizewinning naturalist explores the connection between what we say and how we see.
“A basic literacy of landscape is falling away,” writes Macfarlane (The Old Ways: A Journey on Foot, 2012, etc.) with regret. “A common language—a language of the commons—is getting rarer.” He was dismayed when a new edition of the Oxford Junior Dictionary eliminated words such as acorn, catkin, heather, and nectar in favor of blog, broadband, and voicemail to reflect, the publisher explained, “the consensus experience of modern-day childhood.” In this fascinating, poetic compilation of vocabulary invented to describe the natural world, the author aims to “re-wild our contemporary language for landscape” and enrich our “vibrancy of perception.” “Language is fundamental to the possibility of re-wonderment,” he writes, “for language does not just register experience, it produces it.” Throughout, Macfarlane chronicles his peregrinations across different landscapes, including flatlands, highlands, water, coast, and woods, sometimes in the company of friends, often with references to nature and travel writers he admires (Roger Deakin, John Stilgoe, and Barry Lopez, to name a few) and to earlier word researchers. Each chapter is followed by a glossary of terms for aspects of “land, sea, weather and atmosphere” gleaned from English, Gaelic, Cornish, Welsh, Breton, and other dialects of the British Isles. Readers will discover, for example, that a “bunny bole” names the entrance to a mine in Cornwall; a “lunky” is a “gap in a fence or dyke (big enough to let sheep through but not cattle)” in Galloway; “oiteag” is Gaelic for a “wisp of wind”; and in Shetland, “skub” describes “hazy clouds driven by the wind.” Macfarlane has found 50 words for various permutations of snow, including “ungive” to describe thawing, in Northamptonshire. Many terms, the author contends, function as “tiny poems that conjure scenes.”
Lucent, lyrical prose evokes Macfarlane’s aesthetic, ethical, and powerfully tactile response to nature’s enchantments.Pub Date: Aug. 2, 2016
ISBN: 978-0-241-96787-4
Page Count: 400
Publisher: Penguin
Review Posted Online: May 4, 2016
Kirkus Reviews Issue: May 15, 2016
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by Robert Macfarlane ; illustrated by Jackie Morris
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by Gail Buckley ‧ RELEASE DATE: May 22, 2001
A study, Buckley writes, that was 14 years in the making—and it shows. Well-written, vigorous, and aptly titled, this...
A first-rate history of African-Americans in the military.
Journalist Buckley, daughter of singer Lena Horne, comes from a long line of soldiers who took part in the Revolution, the Indian Wars, WWI, and other conflicts throughout American history. As Buckley writes, African-Americans were generally made to feel unwelcome (if useful cannon fodder) in the military between the years of the Revolution and the Korean War, when President Truman formally integrated the armed services. Buckley begins her sweeping narrative with the black fighters of the Revolution, ignored in standard history texts but honored by the likes of Washington and Jefferson in their time for having “knocked the British about lively.” Among the other early, forgotten patriots of whom she writes is Joseph Savary, a hero of the War of 1812 who helped Andrew Jackson win the Battle of New Orleans; having been ordered not to take part in the victory parade, he angrily denounced American racism and logged time in the pirate trade with Jean Lafitte before heading south to join Simon Bolivar's army. Another is William Carney, who fought with the 55th Massachusetts (the sister regiment of the storied and bloodied 54th) and was the first black fighter to be awarded the Medal of Honor. Most of Buckley's narrative, however, is given to events of the 20th century, from WWI to the invasion of Iraq; a key figure in her text is Colin Powell, who rose through the officer corps to assume a key leadership role in the military (and is now the Secretary of State). If there is an overarching theme to Buckley's narrative, it is that military service offered African-Americans a means of improving their lives; “by helping make history,” she writes, “they fought racism” and overcame prejudices in other branches of society.
A study, Buckley writes, that was 14 years in the making—and it shows. Well-written, vigorous, and aptly titled, this deserves the widest possible readership.Pub Date: May 22, 2001
ISBN: 0-375-50279-3
Page Count: 432
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2001
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by Gail Buckley & adapted by Tanya Bolden
by Michelle Slatalla & Joshua Quittner ‧ RELEASE DATE: Jan. 1, 1995
A fast-paced tale of teenage hackers and their potentially dangerous mischief in cyberspace. With a deft touch and an occasionally sardonic yet sympathetic voice, Newsday reporters and mystery coauthors Slatalla and Quittner (Mother's Day, 1993, etc.) create a lively narrative. Queens, N.Y., high school valedictorian Paul Stira and buddy Eli Ladopoulos enlist the notorious Phiber Optik (Mark Abene) to help them probe the phone company computer they've penetrated. When Abene gets expelled from the hack gang Legion of Doom (LOD), he and his new friends, along with two other hackers, form Masters of Deception (MOD). They crash The Learning Link, a regional network that rebroadcasts educational TV shows, leaving a message of bravado; they hack into a Harper's forum on hackers, and their bold defense of the hacker ethic (any system is fair game) unnerves their elders. A battle is engaged between LOD and MOD. The Texans at LOD set up a hacker group to police cyberspace; a racial slur from one infuriates the New Yorkers, who harass their rivals. The Texans, however, enlist the Feds, who step in after one MOD starts peddling credit files. Charged with various counts of wire fraud and unauthorized access to computers, the five New Yorkers plead guilty, but several have jobs waiting when they get out of jail. While the authors note that the growing Internet offers even more opportunity for hacking and that the newly established Electronic Frontier Foundation backed off defending MOD (to avoid being seen as a ``hacker defense fund''), they could have done more to place the MOD's work in the context of the history of hacking. Still, they make technical information accessible, showing the mix of computer smarts and sheer gall (like pretending to be a repairman to extract phone company info) it takes to hack. A good read, if a bit facile. (First serial to Wired; $35,000 ad/promo; author tour)
Pub Date: Jan. 1, 1995
ISBN: 0-06-017030-1
Page Count: 256
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 1994
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