An engaging, unusual fugitive tale mixing bloodshed and quirky humor with a provocative ending.
A novel traces the life of a World War II German soldier who escapes from a prisoner-of-war camp on Michigan’s Upper Peninsula, eventually assuming an alias and becoming a career officer in the American military.
McEvilla’s prologue lays out the key elements of the plotline, telling readers up front where the story will go and signaling that a secret remains after the final page is read. The narrative then details the strange adventures of a man trying to blend into a country and culture he had once vowed to defeat. In January 1945, 20-something Lothar Laumer, a former paratrooper with sworn allegiance to Hitler, has one goal—to get out of a Michigan POW camp and reach his half brother in Milwaukee. He and two camp mates escape via a tunnel and begin trudging through subzero temperatures and a snowstorm. Laumer spots a service station manned by an attendant refueling a car. Leaving his two compatriots on the road, Laumer kills the attendant by smashing his head with a rock, steals the car, and leaves his fellow escapees to fend for themselves. He is now not only a runaway POW, but also a murderer. During the next two days, Laumer acquires a gun, loses his car in a landslide, and winds up traveling miles on a pair of skis. At a highway intersection, he is struck by a car driven by Emma, a blond woman who brings him back to her isolated cabin in the woods. McEvilla has assigned himself the task of keeping readers interested in an unlikable protagonist who is excited by violence and danger. The author succeeds by burdening Laumer with an obsessive fear of being caught, challenging him with the difficulties of learning American colloquialisms (most of which amusingly involve baseball), and placing him in a situation in which he is totally dominated by a powerful, fiercely independent, and eccentric woman. Their ensuing relationship is the most tender part of the novel and results in the gradual conversion of Laumer into Sgt. Vincent Vanderjack, aka “The Dutchman,” who serves in the American military.
An engaging, unusual fugitive tale mixing bloodshed and quirky humor with a provocative ending.Pub Date: Feb. 17, 2021
ISBN: 978-1-95-480402-9
Page Count: 301
Publisher: Global Publishing Group LLC
Review Posted Online: April 29, 2021
Review Program: Kirkus Indie
One of the noblest characters in American literature gets a novel worthy of him.
Mark Twain's Adventures of Huckleberry Finn as told from the perspective of a more resourceful and contemplative Jim than the one you remember.
This isn’t the first novel to reimagine Twain’s 1885 masterpiece, but the audacious and prolific Everett dives into the very heart of Twain’s epochal odyssey, shifting the central viewpoint from that of the unschooled, often credulous, but basically good-hearted Huck to the more enigmatic and heroic Jim, the Black slave with whom the boy escapes via raft on the Mississippi River. As in the original, the threat of Jim’s being sold “down the river” and separated from his wife and daughter compels him to run away while figuring out what to do next. He's soon joined by Huck, who has faked his own death to get away from an abusive father, ramping up Jim’s panic. “Huck was supposedly murdered and I’d just run away,” Jim thinks. “Who did I think they would suspect of the heinous crime?” That Jim can, as he puts it, “[do] the math” on his predicament suggests how different Everett’s version is from Twain’s. First and foremost, there's the matter of the Black dialect Twain used to depict the speech of Jim and other Black characters—which, for many contemporary readers, hinders their enjoyment of his novel. In Everett’s telling, the dialect is a put-on, a manner of concealment, and a tactic for survival. “White folks expect us to sound a certain way and it can only help if we don’t disappoint them,” Jim explains. He also discloses that, in violation of custom and law, he learned to read the books in Judge Thatcher’s library, including Voltaire and John Locke, both of whom, in dreams and delirium, Jim finds himself debating about human rights and his own humanity. With and without Huck, Jim undergoes dangerous tribulations and hairbreadth escapes in an antebellum wilderness that’s much grimmer and bloodier than Twain’s. There’s also a revelation toward the end that, however stunning to devoted readers of the original, makes perfect sense.
One of the noblest characters in American literature gets a novel worthy of him.Pub Date: March 19, 2024
ISBN: 9780385550369
Page Count: 320
Publisher: Doubleday
Review Posted Online: Dec. 16, 2023
Kirkus Reviews Issue: Jan. 15, 2024
PERSPECTIVES
PERSPECTIVES
Squeamish readers will find this isn’t their cup of tea.
Dexter meets Killing Eve in Wallace’s dark comic thriller debut.
While accepting condolences following her father’s funeral, 30-something narrator Claire receives an email saying that one of her paintings is a finalist for a prize. But her joy is short-circuited the next morning when she learns in a second apologetic note that the initial email had been sent to the wrong Claire. The sender, Lucas Kane, is “terribly, terribly sorry” for his mistake. Claire, torn between her anger and suicidal thoughts, has doubts about his sincerity and stalks him to a London pub, where his fate is sealed: “I stare at Lucas Kane in real life, and within moments I know. He doesn’t look sorry.” She dispatches and buries Lucas in her back garden, but this crime does not go unnoticed. Proud of her meticulous standards as a serial killer, Claire wonders if her grief for her father is making her reckless as she seeks to identify the blackmailer among the members of her weekly bereavement support group. The female serial killer as antihero is a growing subgenre (see Oyinkan Braithwaite’s My Sister, the Serial Killer, 2018), and Wallace’s sociopathic protagonist is a mordantly amusing addition; the tool she uses to interact with ordinary people while hiding her homicidal nature is especially sardonic: “Whenever I’m unsure of how I’m expected to respond, I use a cliché. Even if I’m not sure what it means, even if I use it incorrectly, no one ever seems to mind.” The well-written storyline tackles some tough subjects—dementia, elder abuse, and parental cruelty—but the convoluted plot starts to drag at the halfway point. Given the lack of empathy in Claire’s narration, most of the characters come across as not very likable, and the reader tires of her sneering contempt.
Squeamish readers will find this isn’t their cup of tea.Pub Date: April 16, 2024
ISBN: 9780143136170
Page Count: 336
Publisher: Penguin
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
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