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BOONE

A BIOGRAPHY

A welcome re-evaluation of an American legend.

Daniel Boone didn’t wear a coonskin cap. He liked to read. He wasn’t particularly murderous. So much for American myths.

Morgan (Brave Enemies, 2003, etc.) risks being overshadowed by John Mack Faragher’s Daniel Boone: The Life and Legend of an American Pioneer (1992), which is much stronger, especially on Boone’s significance as a Rousseauvian man of nature. Yet Morgan is an able storyteller with a fine appreciation for Boone as a man of action—and a man of his times. Boone entered history as one of the teamsters accompanying General Edward Braddock’s ill-fated campaign to attack the French in Ohio, which ended in a battle that catapulted another American on the scene, George Washington, to fame. The British were routed. “To save himself,” writes Morgan, “young Boone cut his horses loose and rode after the fleeing troops.” It would not be the last time that Boone would decide that withdrawal was the better part of valor, a strategic sensibility that saved his neck on the Kentucky frontier, where he became a skilled diplomat working among many Indian nations while earning a fair income gathering ginseng. Boone had solid leadership skills, as commemorated in George Caleb Bingham’s iconic portrait of Boone leading wary settlers through the Cumberland Gap. Though a frontiersman suspicious of customary authority, he also commanded respect among the military. Court-martialed after a disastrous battle against the British and their Shawnee allies during the Revolutionary War, Boone emerged both exonerated and promoted. (To spite his accuser, though, he moved out of the town named for him, Boonesborough.) He would later be accused of dishonest surveying and other misdemeanors, charges that, Morgan writes, had some basis in carelessness but not in malice. Such dealings with his fellow Americans, however, inclined Boone not to have much to do with them—and thus he pressed ever onward, away from their smoking chimneys over a long lifetime.

A welcome re-evaluation of an American legend.

Pub Date: Oct. 16, 2007

ISBN: 978-1-56512-455-4

Page Count: 576

Publisher: Algonquin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2007

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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