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THE ROAD FROM GAP CREEK

A moving, lyrical saga from a time so distant, yet so near.

Morgan (Brave Enemies, 2003, etc.) returns to western North Carolina and the Richards family saga.

Deep in the Blue Ridge Mountains, along the Green River, under Mt. Cicero, Hank and Julie Richards move their family from Gap Creek to a small, hardscrabble farm. There, they endure the Great Depression and World War II, stoically facing death and disease, hope and triumph. It’s Annie, their younger daughter, who narrates, harking back to the family’s trek from Gap Creek to Green River, road "froze as stiff as chalk," and ending her story as a grown woman birthing a daughter, realizing "having your own baby makes you feel connected...taking part in the future and with the people that come before you." Recreating the rural mountain South not yet 100 years past, Annie tells of Old Pat, a purebred German shepherd given to her brother, Troy, as payment for summer work. She offers stories of Muir and Moody Powell, twins from a nearby farm, one ambitious to preach, the other preferring to gamble and run moonshine. She remembers tramps and hobos, Julie offering at least fresh milk and cornbread even if cupboards were bare. The novel begins in 1943 with Troy’s death, a casualty in a bomber crash in England. Julie’s shattered, and she "sealed up her thoughts and grief inside her and she wouldn’t let any of us touch it." But even the dead live in the soulful narrative. Troy, gentle, artistic, is home on leave and must put down Old Pat after she’s horribly maimed by a firecracker. A tortured misfit stands in church to claim Troy’s death is God’s retribution, and the family sits silently. A troubled veteran, the new husband of Troy’s former fiancee, drags her away from Troy’s post-war burial at gunpoint. Morgan pens an eloquent story of stoicism and pain, endurance and courage, ending, as all life will, with death and birth. 

A moving, lyrical saga from a time so distant, yet so near.

Pub Date: Aug. 27, 2013

ISBN: 978-1-61620-161-6

Page Count: 352

Publisher: Algonquin

Review Posted Online: July 1, 2013

Kirkus Reviews Issue: July 15, 2013

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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