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LIONS OF THE WEST

HEROES AND VILLAINS OF THE WESTWARD EXPANSION

A vivid, well-conceived look at western expansion in the old narrative-driven school of Bernard DeVoto and Wallace Stegner.

Novelist, poet and historian Morgan (Boone: A Biography, 2007, etc.) moves in the territory between hagiography and calumny in this look at the men who made Manifest Destiny manifest.

Thomas Jefferson, writes the author, seems to have been born looking west; throughout his childhood and early adulthood, he ventured farther and farther beyond the Virginia piedmont, though it was up to others, such as Meriwether Lewis and William Clark, to explore the region beyond the mountains by proxy for him. Morgan begins, properly, with Jefferson, and though his account is a touch diffuse—does it matter that Jefferson was a good condenser of law texts in this connection?—it affords an appropriately high-minded justification for a signal fact: namely, as the Mexican historian Josefina Zoraida Vázquez observed, that “the North Americans kept up this continuous expansion, and the United States government followed their footsteps.” Morgan follows with profiles, most of them illuminating and of just the right length, of some key players. Many are well known, such as the violent Andrew Jackson and the fearless Kit Carson; others are less well known and more interesting in the fact than in the myth, such as John Chapman (aka Johnny Appleseed) and John C. Frémont, the latter a scoundrel who figures in many histories but not much in the popular imagination these days. Morgan’s actors are sometimes even more obscure, though not deservedly so, such as the fair-minded diplomat Nicholas Trist, “idealistic to the point of seeming naive to a politician such as Polk.” The author is also good at pointing out some of the incidental ironies history affords, such as the fact that the men at the Alamo could have saved their skins had William Travis not “refused to recognize the authority of [Sam] Houston.”

A vivid, well-conceived look at western expansion in the old narrative-driven school of Bernard DeVoto and Wallace Stegner.

Pub Date: Oct. 18, 2011

ISBN: 978-1-56512-626-8

Page Count: 496

Publisher: Algonquin

Review Posted Online: Aug. 16, 2011

Kirkus Reviews Issue: Sept. 1, 2011

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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