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THE MOUNTAINS WON'T REMEMBER US

A second collection, like Morgan's first (The Blue Valleys, 1989), that's set in the Blue Ridge Mountains and ranges from post- Revolutionary times to the present. It deals mostly with poor whites who are faced with death, betrayal, and greed. The best pieces include a historical element or personal quest and rise above mere local color. The title story concerns an old woman in a nursing home who has lost a foot. She's lived through two marriages, but near the end of her life she's drawn to search out the facts surrounding the death of her first fiancÇe in the war. Likewise, in ``Death Croon,'' the narrator visits dying Alice. The female narrator was ``Alice's favorite in the family,'' but now the dying woman smells ``like some electric spark, a warm radio,'' and Morgan again vividly splices together past and present instances until Alice reaches the release of ``beautiful death.'' ``Poinsett's Bridge'' is the saga of a chimney-builder who goes to South Carolina to help build a bridge and stays until it's finished—despite flash floods and the mistreatment of paid help and slaves—because of his pride in workmanship and his sense of historical mission. The other pieces too often make too much of nothing: in ``Frog Level,'' a wife enters a local mall and sees her philandering Vietnam-vet husband with yet another woman; the ensuing chase, far too long, becomes a kind of travelogue. In ``The Bullnoser,'' a mother and her grown unemployed child (the narrator) talk about the debt their Daddy left them; the narrator then tries to recoup the family's loss by taking on the white trash who suckered Daddy out of his home—but the story veers off and never quite finds its center. A collection notable mainly for its vivid regionalism. Some of these pieces appeared originally in Epoch, Pembroke Magazine and Southern Review.

Pub Date: June 15, 1992

ISBN: 1-56145-049-9

Page Count: 176

Publisher: Peachtree

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1992

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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