by Robert Musil translated by Joel Agee ‧ RELEASE DATE: Dec. 3, 2019
Not entirely to contemporary tastes but a valuable addition to modernist European literature.
A reconstructed novel that brings a “forgotten sister” to play in a winding narrative.
Now considered a classic of early-20th-century literature, Musil’s The Man Without Qualities (1943) presents a neurasthenic fellow who lives entirely too much inside his own head, a mathematician who is indifferent to bourgeois life but partakes of it all the same. At the start of the present novel, Frankensteined from chapters of the former and bits of the thousands of pages of manuscript Musil left behind, Ulrich is disembarking from a train: “Drops of the general conversation that had seeped into him during the trip were now draining away,” and now, preparing for the funeral of his father—who has helpfully sent notice of his own impending death—he’s left to his own musings. There’s plenty to think about: His long-lost younger sister, Agathe, widowed and remarried, is in town for the occasion, and she announces that she’s leaving her husband, a bore of a pedagogue. “Let him sue!” she says brightly, whereupon Ulrich is moved to remark, in his otherworldly way, “inner oblivion is more loathsome than anything.” In time, Agathe has moved in with Ulrich, and the relationship becomes—well, let’s just say there are universal strictures governing their behavior, which, though more cerebral than physical, in fact does have something of the physical to it “that with great tenderness paralyzed their limbs and at the same time enchanted them with an indescribable sensitivity.” This is very much a European sort of tale, reminiscent of Goethe here and Pessoa there, without much in the way of action but very long on talk—talk of love here, of misunderstanding and grief there: “Someone who talks a lot," says Ulrich, “discharges another person’s grief drop by drop, the way rain discharges the electricity in a cloud.” That, or the chatterbox numbs the listener, which happens from time to time even as Musil carefully structures his twisting, unexpected storyline.
Not entirely to contemporary tastes but a valuable addition to modernist European literature.Pub Date: Dec. 3, 2019
ISBN: 978-1-68137-383-6
Page Count: 464
Publisher: New York Review Books
Review Posted Online: Sept. 12, 2019
Kirkus Reviews Issue: Oct. 1, 2019
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by Robert Musil
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
by Colleen Hoover ‧ RELEASE DATE: Dec. 10, 2019
The emotions run high, the conversations run deep, and the relationships ebb and flow with grace.
When tragedy strikes, a mother and daughter forge a new life.
Morgan felt obligated to marry her high school sweetheart, Chris, when she got pregnant with their daughter, Clara. But she secretly got along much better with Chris’ thoughtful best friend, Jonah, who was dating her sister, Jenny. Now her life as a stay-at-home parent has left her feeling empty but not ungrateful for what she has. Jonah and Jenny eventually broke up, but years later they had a one-night stand and Jenny got pregnant with their son, Elijah. Now Jonah is back in town, engaged to Jenny, and working at the local high school as Clara’s teacher. Clara dreams of being an actress and has a crush on Miller, who plans to go to film school, but her father doesn't approve. It doesn’t help that Miller already has a jealous girlfriend who stalks him via text from college. But Clara and Morgan’s home life changes radically when Chris and Jenny are killed in an accident, revealing long-buried secrets and forcing Morgan to reevaluate the life she chose when early motherhood forced her hand. Feeling betrayed by the adults in her life, Clara marches forward, acting both responsible and rebellious as she navigates her teenage years without her father and her aunt, while Jonah and Morgan's relationship evolves in the wake of the accident. Front-loaded with drama, the story leaves plenty of room for the mother and daughter to unpack their feelings and decide what’s next.
The emotions run high, the conversations run deep, and the relationships ebb and flow with grace.Pub Date: Dec. 10, 2019
ISBN: 978-1-5420-1642-1
Page Count: 400
Publisher: Montlake Romance
Review Posted Online: Oct. 13, 2019
Kirkus Reviews Issue: Nov. 1, 2019
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
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