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CREATIVITY AND BEYOND

CULTURE, VALUES, AND CHANGE

A blurry book, desperately in need of sharper vision in order to succeed either as a history of creativity or as a guidebook...

With much enthusiasm but little focus, Weiner’s history of creativity dulls the intellect even as it attempts to stimulate the soul.

In his overview of creativity in the western world, Weiner skims the historical and literary record from the Bible to the Dalai Lama (taking into account nearly everyone and everything in between) in order to consider the multiple meanings that creativity has held for humanity throughout the centuries. Despite this laudable objective, Weiner’s project collapses under the weight of its own scope—which is too massive to be organized in a single concise volume. The entire Middle Ages, for example, warrant a mere eight pages of text, while another equally unwieldy chapter condenses the innovations of the Romantics, the Victorians, and the Modernists into one freeforall of creative frenzy. A consideration of the cultural variables that influence perceptions of creativity follows this brief history, concluding with a puzzling investigation of recent Chinese history and its effect upon the creation of a new national identity. The great failing of Weiner’s study thus lies in its failure to stick to a working and meaningful definition of creativity: The formation of China’s national character is an interesting question, of course, but to view national identity formation as a result of a specific creative process tempers creativity into a meaningless and hopelessly nebulous term. In a similar vein, the Spanish Inquisition emerges in Weiner’s account not as a religious war, but as a stifling of heretical creativity. Creative heretics? This confluence of disparate personal and social forces under the rubric of creativity undermines the initial promise of the investigation. Concluding with a paean to the blessings of creativity in everyday life, Weiner digresses into blathering suggestions about creative joys and other bloated selfhelp trivialities on his way to a disappointing finish.

A blurry book, desperately in need of sharper vision in order to succeed either as a history of creativity or as a guidebook for the lost.

Pub Date: March 1, 2000

ISBN: 0-7914-4477-5

Page Count: 352

Publisher: N/A

Review Posted Online: June 24, 2010

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THE CULTURE MAP

BREAKING THROUGH THE INVISIBLE BOUNDARIES OF GLOBAL BUSINESS

These are not hard and fast rules, but Meyer delivers important reading for those engaged in international business.

A helpful guide to working effectively with people from other cultures.

“The sad truth is that the vast majority of managers who conduct business internationally have little understanding about how culture is impacting their work,” writes Meyer, a professor at INSEAD, an international business school. Yet they face a wider array of work styles than ever before in dealing with clients, suppliers and colleagues from around the world. When is it best to speak or stay quiet? What is the role of the leader in the room? When working with foreign business people, failing to take cultural differences into account can lead to frustration, misunderstanding or worse. Based on research and her experiences teaching cross-cultural behaviors to executive students, the author examines a handful of key areas. Among others, they include communicating (Anglo-Saxons are explicit; Asians communicate implicitly, requiring listeners to read between the lines), developing a sense of trust (Brazilians do it over long lunches), and decision-making (Germans rely on consensus, Americans on one decider). In each area, the author provides a “culture map scale” that positions behaviors in more than 20 countries along a continuum, allowing readers to anticipate the preferences of individuals from a particular country: Do they like direct or indirect negative feedback? Are they rigid or flexible regarding deadlines? Do they favor verbal or written commitments? And so on. Meyer discusses managers who have faced perplexing situations, such as knowledgeable team members who fail to speak up in meetings or Indians who offer a puzzling half-shake, half-nod of the head. Cultural differences—not personality quirks—are the motivating factors behind many behavioral styles. Depending on our cultures, we understand the world in a particular way, find certain arguments persuasive or lacking merit, and consider some ways of making decisions or measuring time natural and others quite strange.

These are not hard and fast rules, but Meyer delivers important reading for those engaged in international business.

Pub Date: May 27, 2014

ISBN: 978-1-61039-250-1

Page Count: 288

Publisher: PublicAffairs

Review Posted Online: April 15, 2014

Kirkus Reviews Issue: May 1, 2014

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THE 48 LAWS OF POWER

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1998

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