Next book

EVE'S RIB

SEARCHING FOR THE BIOLOGICAL ROOTS OF SEX DIFFERENCES

Through shrewdly selected examples and engaging interviews with researchers, science journalist Pool (Science, Discover, Nature, etc.) assembles a convincing argument to explain the biological basis of sexual differences. Wisely limiting himself, Pool considers the role of hormones in prenatal development: While all fetuses begin as female, the male is differentiated by an infusion of testosterone that alters both the structure of the brain and its function. For biological reasons, then, he claims, boys really do prefer trucks and girls dolls. Boys have a better spatial sense, stronger competitive instincts, and a preference for objects, whereas girls demonstrate greater verbal ability, a more cooperative nature, and an interest in people. Moreover, faced with the same problems, boys and girls use different parts of the brain to solve them and at different speeds: While both can get out of a maze, girls look for landmarks but boys prefer maps. Physiologically, while the male brain is larger, it is not necessarily superior. Of course, there are variations: girls with excess testosterone; boys with excess estrogen; chemicals such as DES that effect pregnancies; and changes in the hormone levels throughout life. All of these biological events, according to Pool, influence behavior far more than the socialization process to which feminists especially have attributed the sexual stereotypes that they want to overturn. Ironically, it was women, often feminists, who made the discoveries about the biological bases of sexual differences. In a speculative chapter, Pool concludes that these differences evolved to suit a more primitive culture and are no longer relevant or useful. A convincing and optimistic study promoting the advantages of difference, the futility of influencing the environment of young children to produce people who are the same but not necessarily equal. Pool captures the resourcefulness of the researchers, the voices of those who made the discoveries and tested them in their own lives.

Pub Date: April 27, 1994

ISBN: 0-517-59298-3

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1994

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Next book

TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

Categories:
Close Quickview