This engrossing biography of an often excruciatingly difficult though uniquely gifted actor should encourage readers to seek...
The life and career of enigmatic stage and film actor Peter O’Toole (1932-2013).
Contemporary audiences may best know O’Toole from his luminous portrayal of T.E. Lawrence in David Lean’s 1962 epic Lawrence of Arabia, but he had a varied career that spanned several decades, earning him significant critical notice through the years and an impressive eight Academy Award nominations. O’Toole rode the crest of his stardom in the 1960s, when, fresh from his star-making turn as Lawrence, he was busily sought after for numerous leading film roles. Yet his increasing alcohol consumption and a habitually chaos-driven personal life frequently intersected with his professional pursuits and gradually began to undermine his career. Sellers (What Fresh Lunacy Is This?: The Authorised Biography of Oliver Reed, 2013, etc.) provides a well-researched and colorful overview of O’Toole’s background, from his earliest theatrical performances through the many films and stage productions of later years. The author also focuses a lot of attention on the destructive side of his subject’s personality, diligently tracking every extended pub crawl and public disturbance he caused. O’Toole’s high jinks were often in the company of other notable talents of his generation, several of whom have become inebriated legends in their own rights, including actors Richard Burton and Richard Harris, who, together with O’Toole and Oliver Reed, were the subject of an earlier Sellers biography, Hellraisers (2009). Chronicling the latter portion of O’Toole’s career, with his stardom diminished and a few life-threatening episodes forcing him to abstain, at least somewhat, from drinking, the author gradually shifts his focus to O’Toole’s craft as an actor and his particular skills for building his performances. This approach leads to greater insight into his personality and provides more depth to the narrative.
This engrossing biography of an often excruciatingly difficult though uniquely gifted actor should encourage readers to seek out some of O’Toole’s many memorable film performances.Pub Date: Nov. 1, 2016
ISBN: 978-1-250-09594-7
Page Count: 432
Publisher: Dunne/St. Martin's
Review Posted Online: Aug. 23, 2016
Kirkus Reviews Issue: Sept. 1, 2016
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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