In this debut techno-thriller, the National Security Agency tries whatever means necessary to take control of advanced technology from a company it perceives as a threat.
The NSA, always looking to hire the nation’s pre-eminent minds, has noticed a disturbing trend over the last couple of years. Probable recruits seem to be disappearing, the NSA assuming they’ve been covertly working for someone else. Sure enough, agents manage to track one scientist’s phone call, putting him squarely in the vicinity of Traegart Industries in Seattle. Attempting to peek behind Traegart’s firewall gets the NSA a return hack from the company so quick and efficient that Dr. Ari Bannergee surmises it has a quantum computer. After Schar Bonderain proves an exceptional job applicant, scheming NSA Assistant Director Kalman Hajeet calls her into his office. He threatens her family and uses a mind-control drug to coerce her into joining Traegart and gathering intelligence for the agency—and then proceeds to rape her. Dalton Traegart, meanwhile, searches for a fellow Cal Tech student he knew by the nickname of Roshi. He believes Roshi’s capable of tapping into the full human potential, perhaps delving into the unused 90 percent part of the brain, a prospect which may entail sending Roshi into orbit. Both Dalton and Schar, however, will soon realize that Hajeet is not their only enemy. The author ignites an intriguing espionage plot with Schar as a “psychoactive agent” having no choice but to do Hajeet’s bidding. Hajeet’s villainy, too, is without question; his rape of Schar is both malicious and meticulous. But as Dalton and Schar grow closer via their superior intellects, the story’s looming danger dissipates. This is due primarily to Dalton, whose vast wealth and resources make him a bit too formidable. Sharp’s writing is confident and perceptive. Later chapters give way to lengthy discussions that are purely theoretical but boast a nice sci-fi touch. Roshi, for example, may have acquired so much knowledge that he’s predicting future events. The ending leaves a fair amount unresolved, but there are plenty of avenues for Sharp to explore in the proposed sequel.
A great deal more talking than action but an undeniably smart, tech-laden story.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Dog Ear
Review Posted Online: May 9, 2016
Kirkus Reviews Issue: July 1, 2016
Review Program: Kirkus Indie
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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
10
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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 10, 2020
Kirkus Reviews Issue: March 1, 2020
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Despite some distractions, there’s an irresistible charm to Owens’ first foray into nature-infused romantic fiction.
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A wild child’s isolated, dirt-poor upbringing in a Southern coastal wilderness fails to shield her from heartbreak or an accusation of murder.
“The Marsh Girl,” “swamp trash”—Catherine “Kya” Clark is a figure of mystery and prejudice in the remote North Carolina coastal community of Barkley Cove in the 1950s and '60s. Abandoned by a mother no longer able to endure her drunken husband’s beatings and then by her four siblings, Kya grows up in the careless, sometimes-savage company of her father, who eventually disappears, too. Alone, virtually or actually, from age 6, Kya learns both to be self-sufficient and to find solace and company in her fertile natural surroundings. Owens (Secrets of the Savanna, 2006, etc.), the accomplished co-author of several nonfiction books on wildlife, is at her best reflecting Kya’s fascination with the birds, insects, dappled light, and shifting tides of the marshes. The girl’s collections of shells and feathers, her communion with the gulls, her exploration of the wetlands are evoked in lyrical phrasing which only occasionally tips into excess. But as the child turns teenager and is befriended by local boy Tate Walker, who teaches her to read, the novel settles into a less magical, more predictable pattern. Interspersed with Kya’s coming-of-age is the 1969 murder investigation arising from the discovery of a man’s body in the marsh. The victim is Chase Andrews, “star quarterback and town hot shot,” who was once Kya’s lover. In the eyes of a pair of semicomic local police officers, Kya will eventually become the chief suspect and must stand trial. By now the novel’s weaknesses have become apparent: the monochromatic characterization (good boy Tate, bad boy Chase) and implausibilities (Kya evolves into a polymath—a published writer, artist, and poet), yet the closing twist is perhaps its most memorable oddity.
Despite some distractions, there’s an irresistible charm to Owens’ first foray into nature-infused romantic fiction.Pub Date: Aug. 14, 2018
ISBN: 978-0-7352-1909-0
Page Count: 384
Publisher: Putnam
Review Posted Online: May 15, 2018
Kirkus Reviews Issue: June 1, 2018
Categories: LITERARY FICTION
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