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BLACK MARKET

The best novel so far from Tine (Midnight City, 1986, etc.): a richly colored suspenser about an all-black US Army unit in Rome in 1944, just after the Nazis have left. Art investigator Harry Leblanc is hired by art-dealer Peony Seagrave to look into the provenance of a valuable 17th-century painting by Guido Reni that has turned up in Harlem and been offered to her for disposal by Roberta Chapman, a cleaning woman and granddaughter of the late James Holt. The work is authentic, but how did Holt come by it? Leblanc's hound-doggery leads him into the novel's main subject—Rome's WW II black market and how Holt's black army unit found itself tied into the illegal dealings of its white sergeants and its no-good rich-boy lieutenant, Austin Kinney, the company's second-in-command. The ringleader of the black-market operation is Sgt. Eddie Manganaro, a hood with a lust for Mafia ties—and here he is, on the home grounds! Not that he hasn't made his bones back in the States, with his specialty, an ice pick into the ear. Manganaro draws Lt. Kinney and two fellow noncoms, McManus and Utterback, into an arrangement he's made with Rome's top Mafia boss, Lorenzetti, who sneers at Manganaro's Sicilian ties back home. They will deliver $15,000 worth of hams, canned goods, etc., to Lorenzetti's black-market warehouse once weekly. The sergeants and Kinney, however, have no intention of paying their drivers from the all-black Heavy Transport Division, and instead try to strong- arm the blacks—who, including Private James Holt, rob the secret cache of the sergeants and Lt. Kinney and refuse to return what they've stolen. Then the most foulmouthed, hate-spieling sergeant freezes one of the blacks in a freezer and a bloodletting bedlam erupts. Tightknit all the way, with strong characterizations, terrific dialogue, and a grand sense of street-life in a starving Rome.

Pub Date: Feb. 20, 1992

ISBN: 0-312-06907-3

Page Count: 320

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 1991

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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