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SCRIBBLES OF THE EMPRESS

A sensational conclusion to a dark, captivating series.

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A powerful vampire leader struggling with continuous loss must stop the menace that’s threatening her bloodline in this final part of Tomoguchi’s horror trilogy.

It’s been just over a year since Orly Solodnikova became empress of the Cobălcescu bloodline. Having consumed the bloodline’s most potent blood, she’s the strongest among the vampires she reigns over. But the 23-year-old, who’s forever stuck in a 12-year-old body, is wracked with loneliness. She dearly misses those in her life who have died, and she’s so depressed that she sends away the only two people she loves: vampire Berthold and her “fledgling,” Kristy, whom Orly made immortal; they’re in a relationship with each other and contemplating a future without Orly. The empress wallows in self-isolation at her Los Angeles home until she gets news of her old enemy Trajan. He’s been rallying other covens against Orly and may be behind the recent spate of murders of Cobălcescu in Europe. It gets worse when Berthold and Kristy suddenly go missing, most likely in Trajan’s hands. Orly’s bloodline needs her now more than ever, and she vows to protect the Cobălcescu and take out Trajan and any of his cohorts. This necessitates staunch leadership and politicking, as she meets with such mighty vampire groups as the Eternal (with each member clocking in at 2,000-plus years old) and the Azunu, the world’s oldest coven, based in Rwanda. Orly fights to prevent a war and eliminate Trajan, while hoping that she finds Berthold and Kristy alive.

This cohesive three-novel series is a vampire story with heart. Tomoguchi’s protagonist has always been sympathetic; she began as an orphan and, in her latest outing, suffers great emotional turmoil. She also faces numerous obstacles that mere mortals will find relatable. Some of the vampire leaders, for example, don’t take her seriously because of her age, as she’s thousands of years younger than many other immortals. She’s also still learning her powers, having acquired untold abilities from a vampire she drained. Seemingly endless pressures weigh her down, but Orly, time and again, proves formidable. She wields the unique art of “scribbling” black-crayon drawings that reveal others’ evil, or their “darkest desire.” This doesn’t just expose villainous secrets, but allows Orly to see what she may be keeping from herself as well. As a vampire, she can also access the Oblivion—a personal dreamlike place and the setting for the novel’s most heartfelt moments, as Orly seeks advice and solace from her late mother, Yelena. Orly sits down with a handful of commanding vampires; she aims for peaceful discussions and occasionally engages in fanged conflict. There’s some  intriguing globetrotting, too, that takes her to various lands, from the western United States and Romania to the Netherlands and Argentina. Tomoguchi’s taut prose fuels the narrative, but his dialogue, which includes telepathic conversation, is a highlight: “I suppose title characters in an opera should always expect to die,” Berthold observes at one point. The compact plot more than earns its gratifying denouement.

A sensational conclusion to a dark, captivating series.

Pub Date: Oct. 31, 2022

ISBN: 9798218074432

Page Count: 449

Publisher: Ink Bleeds Books

Review Posted Online: Dec. 9, 2022

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THE DIVORCE

Trust no one in this over-the-top tale of deception and revenge.

Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.

The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.

Trust no one in this over-the-top tale of deception and revenge.

Pub Date: May 26, 2026

ISBN: 9781464249631

Page Count: 368

Publisher: Poisoned Pen

Review Posted Online: April 20, 2026

Kirkus Reviews Issue: May 15, 2026

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IT COULD HAVE BEEN HER

A haunting, timeless exploration of the evil men do—and the imprint it leaves behind.

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A middle-aged woman channels her best Miss Marple when she finds herself facing a nightmare from her past as she seeks to make sense of her present.

Jane Trevally is at a crossroads of sorts. After a traumatic childhood, she sought safety and solace in marriages with wealthy men. Now twice divorced and living with her four dogs in the crumbling English country mansion that is her birthright, she’s feeling the need to do something, to take a job, when one day a runaway dog turns up on her doorstep. The dog is chipped, and with the help of a local vet and her loyal stepson, Dexter Lombardi, Jane traces the dog’s home to the edge of Hampstead Heath, in London—a place that brings back the memory of a terrifying night from her youth, when a handsome man picked her up and took her back to this very house. Everything there felt wrong; she just managed to escape, certain that if she had stayed, she would have died that night. Now, soon after knocking on the door and returning the dog, she discovers that he had run away from an Airbnb near her house, where he had been staying with a young woman who seems to have disappeared. With the help of Dexter; his father, Tony, her second ex-husband; Tony’s former security enforcer, Tobias Wilson; and her own gift for connecting with people, Jane sets out to find the woman, taking her first steps on the path to becoming a private investigator. While Jane serves as the heart of the novel, Jewell also narrates chapters from several other characters’ points of view, all of which chip away at the horror that is the house on the Heath. By slowly revealing past and present simultaneously, Jewell keeps the mystery fresh as she plays with Gothic tropes and the timeless imagery of “a house of horrors” embodying human sin. She doesn’t flinch from exploring the depths of depravity in this house—and its humans.

A haunting, timeless exploration of the evil men do—and the imprint it leaves behind.

Pub Date: June 23, 2026

ISBN: 9781668033906

Page Count: 384

Publisher: Atria

Review Posted Online: April 20, 2026

Kirkus Reviews Issue: May 15, 2026

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