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SCRIBBLING THE ETERNAL

From the Black Wax Vampire Trilogy series , Vol. 2

This second installment deftly reinforces an intelligent, absorbing supernatural series.

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In this sequel, a young vampire seeks revenge against the vicious and powerful empress responsible for her mother’s death.

It’s been six years since Orly Solodnikova lost her mother, who committed suicide by sunlight. Bloodline empress Mirela Cobălcescu persuaded her to do so by promising not to kill her daughter. Orly has spent those years in Japan with fellow vampire Berthold Leitz, who had been in love with her mother. But Orly still wants retribution upon returning to Los Angeles with Berthold and Mayuko Mochizuki, Orly’s mortal servant who’s become her closest friend. Surprisingly, Mirela invites Orly to Romania for the upcoming Communion of the Ancients, when the centuries-old Ancients offer their blood to the empress. Mirela wants to utilize Orly for her scribbles, a pre-vampirism skill in which she sees people’s deepest secrets. The empress suspects traitors among the Ancients, including the Eternal—the ones who have survived over 2,000 years. But Mirela also wants to be Orly’s lover. Indeed, Orly craves romantic love, and potential suitors are lacking, as the 22-year-old vampire is stuck in a 12-year-old body. Although Mirela vows to steal a woman’s body for Orly, trust between the two comes in small doses. Orly, meanwhile, discovers possible allies among the Eternal but must remain cautious, as Mirela, at 5,000-plus years, is the oldest of her bloodline. The key to defeating her may lie with enigmatic Ji’Indushul, whose name repeatedly appears in the Ancients’ scribbles and whom Orly will have to find.

Tomoguchi’s sequel is just as somber as the series opener. Orly, for one, is so desperate for affection that she gets in contact online with a pedophile. Even intimate moments between Mirela and Orly, which aren’t excessively graphic, still involve an “underdeveloped,” prepubescent body. Nevertheless, endlessly enthralling characters populate the story. The lengthy opening in Japan aptly establishes Orly’s rock-solid bond with Mayuko, who joins her in Romania. But Orly isn’t the most compassionate protagonist; as she must regularly feed, she kills mortals with callousness and no remorse. The author rarely strays from well-known vampire lore: The immortals drink blood, sleep in coffins, and have such powers as a mesmerizing gaze. But as Orly has been a vampire for a mere decade, her abilities are limited, and she gradually acquires new skills, including telepathy. At the same time, there’s the Oblivion, a memorable dreamlike place that only certain vampires can reach and which renders them vulnerable. Occasional humor, though minimal, somewhat alleviates the story’s bleak tone: After Orly refuses to drink from a willing mortal savored by other vampires, Mirela dubs her a “blood snob.” Still, the unnerving moments take precedence. In one scene, Mayuko screams when she spots a blatant attack against Orly. But no one in Mirela’s castle immediately responds since a “mortal scream” is an all-too-common occurrence. As the story progresses, Orly questions her own motivations (perhaps she has genuine feelings for her enemy), ultimately leading to some indelible plot turns and a blistering denouement.

This second installment deftly reinforces an intelligent, absorbing supernatural series. (acknowledgments)

Pub Date: Nov. 6, 2019

ISBN: 978-0-578-55993-3

Page Count: 537

Publisher: Ink Bleed Books

Review Posted Online: May 8, 2020

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YOU'D LOOK BETTER AS A GHOST

Squeamish readers will find this isn’t their cup of tea.

Dexter meets Killing Eve in Wallace’s dark comic thriller debut.

While accepting condolences following her father’s funeral, 30-something narrator Claire receives an email saying that one of her paintings is a finalist for a prize. But her joy is short-circuited the next morning when she learns in a second apologetic note that the initial email had been sent to the wrong Claire. The sender, Lucas Kane, is “terribly, terribly sorry” for his mistake. Claire, torn between her anger and suicidal thoughts, has doubts about his sincerity and stalks him to a London pub, where his fate is sealed: “I stare at Lucas Kane in real life, and within moments I know. He doesn’t look sorry.” She dispatches and buries Lucas in her back garden, but this crime does not go unnoticed. Proud of her meticulous standards as a serial killer, Claire wonders if her grief for her father is making her reckless as she seeks to identify the blackmailer among the members of her weekly bereavement support group. The female serial killer as antihero is a growing subgenre (see Oyinkan Braithwaite’s My Sister, the Serial Killer, 2018), and Wallace’s sociopathic protagonist is a mordantly amusing addition; the tool she uses to interact with ordinary people while hiding her homicidal nature is especially sardonic: “Whenever I’m unsure of how I’m expected to respond, I use a cliché. Even if I’m not sure what it means, even if I use it incorrectly, no one ever seems to mind.” The well-written storyline tackles some tough subjects—dementia, elder abuse, and parental cruelty—but the convoluted plot starts to drag at the halfway point. Given the lack of empathy in Claire’s narration, most of the characters come across as not very likable, and the reader tires of her sneering contempt.

Squeamish readers will find this isn’t their cup of tea.

Pub Date: April 16, 2024

ISBN: 9780143136170

Page Count: 336

Publisher: Penguin

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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DAUGHTER OF MINE

Small-town claustrophobia and intimacies alike propel this twist-filled psychological thriller.

The loss of her police officer father and the discovery of an abandoned car in a local lake raise chilling questions regarding a young woman’s family history.

When Hazel Sharp returns to her hometown of Mirror Lake, North Carolina, for her father’s memorial, she and the other townspeople are confronted by a challenging double whammy: As they’re grieving the loss of beloved longtime police officer Detective Perry Holt, a disturbing sight appears in the lake, whose waterline is receding because of an ongoing drought—an old, unidentifiable car, which has likely been lurking there for years. Hazel temporarily leaves her Charlotte-based building-renovation business in the capable hands of her partners and reconnects with her brothers, Caden and Gage; her Uncle Roy; her old fling and neighbor, Nico; and her schoolfriend, Jamie, now a mother and married to Caden. Tiny, relentless suspicions rise to the metaphorical surface along with that waterlogged vehicle: There have been a slew of minor break-ins; two people go missing; and then, a second abandoned car is discovered. The novel digs deeper into Hazel’s family history—her father was a widow when he married Hazel’s mother, who later left the family, absconding with money and jewels—and Miranda, a consummate professional when it comes to exposing the small community tensions that naturally arise when people live in close proximity for generations, exposes revelation after twisty revelation: “Everything mattered disproportionately in a small town. Your success, but also your failure. Everyone knows might as well have been our town motto.”

Small-town claustrophobia and intimacies alike propel this twist-filled psychological thriller.

Pub Date: April 9, 2024

ISBN: 9781668010440

Page Count: 368

Publisher: Marysue Rucci Books

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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