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SCRIBBLING THE ETERNAL

From the Black Wax Vampire Trilogy series , Vol. 2

This second installment deftly reinforces an intelligent, absorbing supernatural series.

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In this sequel, a young vampire seeks revenge against the vicious and powerful empress responsible for her mother’s death.

It’s been six years since Orly Solodnikova lost her mother, who committed suicide by sunlight. Bloodline empress Mirela Cobălcescu persuaded her to do so by promising not to kill her daughter. Orly has spent those years in Japan with fellow vampire Berthold Leitz, who had been in love with her mother. But Orly still wants retribution upon returning to Los Angeles with Berthold and Mayuko Mochizuki, Orly’s mortal servant who’s become her closest friend. Surprisingly, Mirela invites Orly to Romania for the upcoming Communion of the Ancients, when the centuries-old Ancients offer their blood to the empress. Mirela wants to utilize Orly for her scribbles, a pre-vampirism skill in which she sees people’s deepest secrets. The empress suspects traitors among the Ancients, including the Eternal—the ones who have survived over 2,000 years. But Mirela also wants to be Orly’s lover. Indeed, Orly craves romantic love, and potential suitors are lacking, as the 22-year-old vampire is stuck in a 12-year-old body. Although Mirela vows to steal a woman’s body for Orly, trust between the two comes in small doses. Orly, meanwhile, discovers possible allies among the Eternal but must remain cautious, as Mirela, at 5,000-plus years, is the oldest of her bloodline. The key to defeating her may lie with enigmatic Ji’Indushul, whose name repeatedly appears in the Ancients’ scribbles and whom Orly will have to find.

Tomoguchi’s sequel is just as somber as the series opener. Orly, for one, is so desperate for affection that she gets in contact online with a pedophile. Even intimate moments between Mirela and Orly, which aren’t excessively graphic, still involve an “underdeveloped,” prepubescent body. Nevertheless, endlessly enthralling characters populate the story. The lengthy opening in Japan aptly establishes Orly’s rock-solid bond with Mayuko, who joins her in Romania. But Orly isn’t the most compassionate protagonist; as she must regularly feed, she kills mortals with callousness and no remorse. The author rarely strays from well-known vampire lore: The immortals drink blood, sleep in coffins, and have such powers as a mesmerizing gaze. But as Orly has been a vampire for a mere decade, her abilities are limited, and she gradually acquires new skills, including telepathy. At the same time, there’s the Oblivion, a memorable dreamlike place that only certain vampires can reach and which renders them vulnerable. Occasional humor, though minimal, somewhat alleviates the story’s bleak tone: After Orly refuses to drink from a willing mortal savored by other vampires, Mirela dubs her a “blood snob.” Still, the unnerving moments take precedence. In one scene, Mayuko screams when she spots a blatant attack against Orly. But no one in Mirela’s castle immediately responds since a “mortal scream” is an all-too-common occurrence. As the story progresses, Orly questions her own motivations (perhaps she has genuine feelings for her enemy), ultimately leading to some indelible plot turns and a blistering denouement.

This second installment deftly reinforces an intelligent, absorbing supernatural series. (acknowledgments)

Pub Date: Nov. 6, 2019

ISBN: 978-0-578-55993-3

Page Count: 537

Publisher: Ink Bleed Books

Review Posted Online: May 8, 2020

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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THE SECRET OF SECRETS

A standout in the series.

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The sixth adventure of Harvard symbology professor Robert Langdon explores the mysteries of human consciousness, the demonic projects of the CIA, and the city of Prague.

“Ladies and gentlemen...we are about to experience a sea change in our understanding of how the brain works, the nature of consciousness, and in fact…the very nature of reality itself.” But first—Langdon’s in love! Brown’s devoted readers first met brilliant noetic scientist Katherine Solomon in The Lost Symbol (2009); she’s back as a serious girlfriend, engaging the committed bachelor in a way not seen before. The book opens with the pair in a luxurious suite at the Four Seasons in Prague. It’s the night after Katherine has delivered the lecture quoted above, setting the theme for the novel, which features a plethora of real-life cases and anomalies that seem to support the notion that human consciousness is not localized inside the human skull. Brown’s talent for assembling research is also evident in this novel’s alter ego as a guidebook to Prague, whose history and attractions are described in great and glowing detail. Whether you appreciate or skim past the innumerable info dumps on these and other topics (Jewish folklore fans—the Golem is in the house!), it goes without saying that concision is not a goal in the Dan Brown editing process. Speaking of editing, the nearly 700-page book is dedicated to Brown’s editor, who seems to appear as a character—to put it in the italicized form used for Brownian insight, Jason Kaufman must be Jonas Faukman! A major subplot involves the theft of Katherine’s manuscript from the secure servers of Penguin Random House; the delightful Faukman continues to spout witty wisecracks even when blindfolded and hogtied. There’s no shortage of action, derring-do, explosions, high-tech torture machines, attempted and successful murders, and opportunities for split-second, last-minute escapes; good thing Langdon, this aging symbology wonk, never misses swimming his morning laps. Readers who are not already dyed-in-the-wool Langdonites may find themselves echoing the prof’s own conclusion regarding the credibility of all this paranormal hoo-ha: At some point, skepticism itself becomes irrational.

A standout in the series.

Pub Date: Sept. 9, 2025

ISBN: 9780385546898

Page Count: 688

Publisher: Doubleday

Review Posted Online: Sept. 9, 2025

Kirkus Reviews Issue: Nov. 1, 2025

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