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ARCHITECTURE + ADVOCACY

ROBERT TRAYNHAM COLES, FAIA

A multifaceted life story that will enthrall architecture and history buffs as well as scholars.

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A beautifully crafted debut memoir about an award-winning African-American architect who broke through societal barriers and helped others do the same.

Written and compiled with the assistance of Siener (A Guide to Gloucester County, Virginia Historical Manuscripts, 1976) and Coles’ wife, Sylvia, this engaging account tells the story of a successful 50-year career and passion for social justice. Born in 1929, Coles was raised in the heart of Buffalo, New York. He attended the University of Minnesota as the sole African-American student in architecture and received his master’s from Massachusetts Institute of Technology. Founding his architectural firm in 1963, Coles’ love of the city and its people is reflected in his work. For example, he designed the award-winning Joseph J. Kelly Gardens housing complex to complement the community’s existing cityscape. Meeting and working with community organizers—such as the Rev. Richard Prosser and Saul Alinsky—allowed Coles to combine his thirst for activism with the occupation he loved. Commissioned by Prosser, Coles designed Buffalo’s “Friendship House,” a local hub for social programs, activities, and a food pantry. Dedicated to helping more minorities become architects (Coles referred to black architects as an “endangered species”), he hired 30 African-American architects and interns from 1964 to 2004. In 1995, he became the first African-American chancellor of the American Institute of Architects. Coles’ smooth-flowing prose is a pleasure to peruse, and his voice is memorable. For example, when a teacher discouraged Coles from becoming an architect because “there were no Black architects,” the young design student refused to give up: “Undiscouraged, I resolved to be an architect and one of the best.” Adorned with a variety of color and black-and-white photos and some of Coles’ designs, this informative page-turner is suitable for both in-depth analysis or an afternoon of browsing. Some of the photos—like one with Coles and Saul Alinsky—are particularly intriguing. The book includes appendices for further exploration, such as articles written by Coles.

A multifaceted life story that will enthrall architecture and history buffs as well as scholars.

Pub Date: Nov. 15, 2016

ISBN: 978-0-9839170-2-1

Page Count: 140

Publisher: Buffalo Arts Publishing

Review Posted Online: Dec. 21, 2016

Kirkus Reviews Issue: Feb. 1, 2017

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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