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THE HAIRCUT WHO WOULD BE KING

AN AMERICAN FABLE

A hilarious rendering of the contemporary political scene.

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A farcical sendup of Donald Trump’s rise to power and volatile partnership with Vladimir Putin.

As a young boy, Donald Rump was less than precocious—a miserable student, prone to implacable tantrums, whose emotional intelligence ceased maturing at the age of 9. But the region of the brain responsible for egomaniacal self-assessment was prodigiously large. After some success and plenty more failure in real estate, he turns his attentions to reality TV and hosts a show called “Paycheck,” each episode of which concludes with Rump singing “Don’t Cry for Me Argentina.” Meanwhile, Vladimir Poutine was raised by KGB agents during the early years of Khrushchev’s reign. Poutine, a latent homosexual who immerses himself in the self-consciously manly world of “physical culture,” reads magazines about bodybuilding. Crushed by the demise of the Soviet Union, he copes in the most peculiar way: “he would slip into a silver lamé gown, pop on a curly wig and perform Marlene Dietrich classics at a local drag bar.” Rump decides he’d like to try his hand at politics and recruits shock jock Alex Clamz from the popular but frothing radio show, “Disinfowarz.” He runs for president opposite Mallory Claxton, a sensible woman with a sterling career in public service. Despite a bizarre campaign and a trail of seedy scandals, Rump wins with clandestine help from Poutine. When Rump’s popularity plummets and he’s increasingly seen as a puppet of Poutine’s, he feels compelled to confront Poutine over his invasion of Ukraine, a conflict that potentially ignites nuclear war. Debut author Trebor displays a sharp attunement to the politically absurd and a talent for making the already peculiar into the raucously silly. The first rule of parody is that it must be genuinely funny, and the author accomplishes that repeatedly. Also, the book slyly interjects some serious reflection into its lighthearted vaudevillian act. Readers should be warned that it’s an unabashedly partisan satire—Trebor has no interest in poking fun at Mallory Claxton’s foibles and follies.

A hilarious rendering of the contemporary political scene.

Pub Date: May 1, 2019

ISBN: 978-0-578-47568-4

Page Count: 184

Publisher: Palindrome Press

Review Posted Online: Feb. 8, 2018

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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