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ADDICTS & BASEMENTS

A fascinating study of human attachment and loss.

Awards & Accolades

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A fast-moving fusion of microfiction and free verse that peers into the places where people keep things most deeply hidden.

Vaughan (Diptychs + Triptychs + Lipsticks + Dipshits, 2013, etc.) is quick to identify his own motivations for this project. In “Fallout,” one of the shorter flash-fiction vignettes included in this collection, he writes: “He wants to photograph the seed pods, transfixed by the way they morph while they float….He hopes to capture their essence, as if by shooting them, freezing them frame by frame, he might see his own life oozing before him, undulating like festering wounds.” Whether photographers, tourists or children, Vaughan’s narrators approach their own circumstances and feelings with a scientific attention to detail, slicing each specimen down to the thinnest membrane before studying it with a thorough, distanced objectivity, always seeking some answer and often finding something festering. What they discover is that the most powerful addictions have little to do with substances and everything to do with patterns of behavior and belief. “Basements are unsafe” since they’re where loss occurs and, worse, where truth might be found. When his wife calls him pathetic, a stumbling drunk has to admit, “The truth is we’ve been this way for so long, I think I believe her.” Another husband accuses his wife of paranoia for worrying about his revealing their camping spot to a stranger, but inwardly, he thinks, “I wasn’t willing to admit it: he creeped me out, too….I chuckled but knew she was right.” For all their seeking, the truths they find invariably turn out to be their own inadequacies: “I said: // ‘Tell me the truth.’ / And he said, ‘I don’t believe you— // to tell the truth.’ ” Perhaps the most remarkable feature of the collection is its emotional evenness. The scientific examining persists; there is little judgment, little compassion, only observation. The young woman who loses her friend on a trip and the possibly sociopathic teen threatening sexual violence share a kind of detachment bordering on a lack of affect. These attempts to examine the human animal prove to be the collection’s strength, draining though they can be. In his dissections, Vaughan uncovers an astonishing resilience, but it is often wounded and ugly. The few emotionally charged exceptions, such as “On the Wings of a Dove,” are welcome relief.

A fascinating study of human attachment and loss.

Pub Date: Feb. 1, 2014

ISBN: 978-1-937865-23-8

Page Count: 142

Publisher: Civil Coping Mechanisms

Review Posted Online: April 3, 2014

Kirkus Reviews Issue: May 1, 2014

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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