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UNTIL YOU SEE ME

A thoughtful, engrossing story of a young woman desperately fighting to find her own voice even as family, friends and...

A young woman from a strict, religious family and trapped in an equally oppressive marriage struggles to break free in the midst of the Great Depression.

The year is 1932 and Pearl Tild is on her way from Tucson to Los Angeles. Traveling by train with her companion, Gordon McAndless, something feels wrong. Upon arriving in LA, the cause of Pearl’s unease is revealed: a dismembered corpse is found packed into her steamer trunk. From here, Degnore returns to the beginning to trace the story of Pearl, a unique woman who has an unusual perspective of the world, and the events that led to the discovery of her macabre cargo. Pearl is a wonderfully complex character weighed down by the emotional baggage of growing up in her dysfunctional, rigidly religious family. Her emotional state is revealed as much by the peculiar cadence of her speech and the idiosyncrasies of her behavior as by the historical details Degnore provides in small bits and pieces. This fascinating study of human behavior wraps around a cleverly written murder mystery where the identity of both victim and murderer are held in secret until the last possible moment. Degnore subtly peels back narrative layers to bring Pearl’s deepest fears and desires to the surface. At times this careful dissection takes a little too long, which creates a few slow spots; but the large-scale effect is too compelling to resist. Through Pearl’s eyes, her husband, friends and family are also revealed to be full of flaws and human frailty. But, as Degnore gently yet adamantly insists, don’t be too quick to judge—chances are, what you thought was certain is uncertain.

A thoughtful, engrossing story of a young woman desperately fighting to find her own voice even as family, friends and society try to keep her silent.

Pub Date: Feb. 20, 2012

ISBN: N/A

Page Count: 383

Publisher: Kurti Publishing

Review Posted Online: May 16, 2012

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  • New York Times Bestseller

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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