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FIRE IN THE WIND

THE LIFE OF DICKEY CHAPELLE

Free-lance journalist Ostroff (Rolling Stone, Reader's Digest, etc.) offers an engaging biography of feisty combat reporter/photographer Dickey Chapelle—the first American woman journalist killed in action. Born Georgette Louise Meyer in 1920, Chapelle grew up in a staid midwestern suburb where she spent her youth dreaming of flying airplanes and emulating her hero, Admiral Richard Byrd (she changed her first name to match his). After unceremoniously flunking out of M.I.T. and failing a course in flight instruction, she turned her energies to journalism and soon met her future husband, photographer Tony Chapelle, who taught her much about photography and wartime reportage. From then on, Chapelle was on her way, determined to be where the action was (``eyeballing history,'' she called it). Despite many rejections from the military (unused to having a woman at the front) and from the New York publishing establishment, Chapelle managed to cover most of the major wars and battles of the 20th century: Iwo Jima, the 1956 Hungarian uprising (when she spent five weeks in a Budapest prison), Cuba, Korea, Lebanon, Laos, and Vietnam, where she was killed while covering a platoon on patrol. Always an outspoken eccentric, with a voice like a ``marine drill sergeant,'' Chapelle was a tiny woman known for her signature uniform—fatigues, an Australian bush hat, dramatic Harlequin glasses, and pearl earrings—and her refusal to kowtow to authority. Ostroff chronicles her life with easy, workmanlike skill, drawing on interviews with those who knew her and on her extensive correspondence, articles, and reporter's notes. And while the author does not attempt to examine Chapelle's life so much as straightforwardly report it, she does provide moments of analysis and insight. A solid if not profound biography of a remarkable woman whose life story has been sorely neglected. (Two eight-page photo inserts—not seen.)

Pub Date: March 1, 1992

ISBN: 0-345-36274-8

Page Count: 432

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 1992

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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