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FIRE IN THE WIND

THE LIFE OF DICKEY CHAPELLE

Free-lance journalist Ostroff (Rolling Stone, Reader's Digest, etc.) offers an engaging biography of feisty combat reporter/photographer Dickey Chapelle—the first American woman journalist killed in action. Born Georgette Louise Meyer in 1920, Chapelle grew up in a staid midwestern suburb where she spent her youth dreaming of flying airplanes and emulating her hero, Admiral Richard Byrd (she changed her first name to match his). After unceremoniously flunking out of M.I.T. and failing a course in flight instruction, she turned her energies to journalism and soon met her future husband, photographer Tony Chapelle, who taught her much about photography and wartime reportage. From then on, Chapelle was on her way, determined to be where the action was (``eyeballing history,'' she called it). Despite many rejections from the military (unused to having a woman at the front) and from the New York publishing establishment, Chapelle managed to cover most of the major wars and battles of the 20th century: Iwo Jima, the 1956 Hungarian uprising (when she spent five weeks in a Budapest prison), Cuba, Korea, Lebanon, Laos, and Vietnam, where she was killed while covering a platoon on patrol. Always an outspoken eccentric, with a voice like a ``marine drill sergeant,'' Chapelle was a tiny woman known for her signature uniform—fatigues, an Australian bush hat, dramatic Harlequin glasses, and pearl earrings—and her refusal to kowtow to authority. Ostroff chronicles her life with easy, workmanlike skill, drawing on interviews with those who knew her and on her extensive correspondence, articles, and reporter's notes. And while the author does not attempt to examine Chapelle's life so much as straightforwardly report it, she does provide moments of analysis and insight. A solid if not profound biography of a remarkable woman whose life story has been sorely neglected. (Two eight-page photo inserts—not seen.)

Pub Date: March 1, 1992

ISBN: 0-345-36274-8

Page Count: 432

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 1992

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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  • Pulitzer Prize Finalist

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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