A powerful collection of intimate, heart-wrenching stories.
Silman’s short stories intricately explore themes of family, grief, and aging.
In “Here We Go Again, Alice,” Joereflects on his childhood and his older sister’s untimely death as he comes to grips with his wife’s pregnancy and his impending transition into parenthood. In “Labyrinth of Love,” set in the late 1950s, Muffie lands her first job after college, which leads to a sexual awakening and a relationship with a wealthy but insecure man. Dinah, in “The Scent of Lilacs,” processes her grief after the death of her husband and father of her two children, Max and Addie. In 2019, as Vera Schoenfeld reaches the age of 70, she opens her home as a B&B and strikes up a friendship with Simon Lang, a 76-year-old who becomes a long-term boarder (“Bed and Breakfast”). Laura appears in multiple stories, including one about hiking through Europe with her husband and their three kids, aged 5 through 13 (“On the Way to Courmayeur”); watching her children grow up (“Touchstone”) and contending with her elderly parents’ mortality (“Heart-work”) and with getting older herself (“The Sugar Road”). Silman’s collection of 16 short stories explores heavy but universal themes. Many characters are college-educated writers living in or around New York:They’re each their own person and easily distinguishable from one another. Throughout, the stories offer masterful and authentic representation of the Jewish American experience. The author’s deep characterization of Laura is especially compelling as she navigates marriage and motherhood. The tales focusing on Laura’s relationship with her parents—particularly her ill and dying father—are also engaging (“My Chilean Playwright”; “Her Father’s Voice” ;the title story). Readers will also lose themselves in the author’s evocative prose as they become immersed in each chapter, as in a description of an artist in “My Chilean Playwright”: “In the morning light bathing her face she has the bluest eyes I’ve ever seen. A brilliant sky-blue that she never uses in her work. Is that because there are no blue fruits or vegetables, or because she has enough blue in her life?”
A powerful collection of intimate, heart-wrenching stories.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: N/A
Review Posted Online: Aug. 22, 2024
Review Program: Kirkus Indie
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Mostly charming, sometimes twee, with some really lovely things to say about poetry.
And now for some lessons in poetry and typesetting.
After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.
Mostly charming, sometimes twee, with some really lovely things to say about poetry.Pub Date: Oct. 13, 2026
ISBN: 9781668251065
Page Count: 432
Publisher: Scribner
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
BOOK REVIEW
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