This appealing family tale offers astute characterizations and a panoramic view of the 20th century.
A novel tracks a family through the first half of the 20th century, with all its good times and bad, focusing on the clan’s quotidian hopes and dreams.
The story begins when Belle Brand’s life intersects with Isaac Kaplow’s while she is watching Charles Lindbergh take off on his historic 1927 flight. Belle and Isaac marry during the depths of the Depression when life is hard, but they are deeply in love. They survive and begin to prosper. Soon come two daughters, Sophy and Vivie. Readers follow the family’s fortunes through the Depression and the decades after—with flashbacks to Isaac’s previous life in Europe. The story covers the World War II era, the 1950s, the ’60s, and so on (and the family’s move from Brooklyn to the suburbs of Long Island). And then the headlines: the Holocaust, the March on Washington, Joseph McCarthy’s witch hunt, and President John F. Kennedy’s assassination, each with its own shocks and moral reverberations. Through a peculiar happenstance, Belle and the artist Larry Rivers become edgy friends (he paints her portrait), and other luminaries—Frank O’Hara, Leonard Bernstein, Nell Blaine—make appearances. Then readers watch the daughters, the mostly dutiful Sophy and the beautiful, unpredictable Vivie, grow up and find themselves. Through it all, the Kaplows persevere. Silman is a much-published writer, sure in her craft and very insightful. Belle can be a worrywart, but Isaac is the rock, the mensch. Sophy and Vivie find not only themselves, but also good and caring husbands. This is, in fact, an old-fashioned novel, the sort of engaging book that readers can slip into like a warm bath, and the Kaplows are the kind of people the audience will remember long after the last chapter. Readers certainly don’t lack for stories of chaos and calamity, so the current, much abraded world needs this type of tale more than ever. In the last chapter, the author writes that love “is more than a madness; It is the protection against all that awaits us, our only defense against the hurts and truths of this uncertain, clamorous world.”
This appealing family tale offers astute characterizations and a panoramic view of the 20th century.Pub Date: N/A
ISBN: N/A
Page Count: 328
Publisher: Campden Hill Books
Review Posted Online: April 7, 2022
Kirkus Reviews Issue: May 15, 2022
Review Program: Kirkus Indie
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
