by Roberto Bolaño ; translated by Natasha Wimmer ‧ RELEASE DATE: Sept. 16, 2014
A concise but welcome addition to a major writer’s canon.
A modest fable, the final work by the Chilean master Bolaño (1953-2003) published in his lifetime, encompassing sex, theft and doing what’s necessary to get by.
Bianca, the narrator of this short but philosophically prickly tale, tells us two things early on: first, that she used to live a life of crime; and second, that she was never a prostitute. What follows, though, complicates both assertions. When Bianca’s parents died in a car wreck when she was a teenager, she and her brother were left to scrape together a living in Rome doing odd jobs. While working at a gym, her brother befriends two men who propose a scheme: Bianca will go to work for an aging, blind and wealthy former bodybuilder, effectively for sex, then case his mansion for a safe to crack. The two men have sex with Bianca as well while she’s in the midst of her weekly assignations, but she deliberately avoids knowing which man has entered her room when. This kind of avoidance, Bolaño suggests, is just part of the emotionally fuzzy atmosphere a young woman needs to create to survive a man’s world; Bianca self-medicates with television and can’t distinguish night and day. For Bolaño, who’s best known for epics like The Savage Detectives (1998) and 2666 (2008), this slim tale related in 16 brief chapters is relatively unambitious. But its watertight prose (via Wimmer’s translation) and themes of criminality and the treatment of women make it of a piece with the writer’s grander works. Bianca’s narrative registers less as a mournful abuse confessional and more as a memoir of hard-won wisdom, about her acquiring the power to keep predatory men at arm’s length. Did she truly commit a crime? Is what she did prostitution or not? Bolaño leaves those questions provocatively open.
A concise but welcome addition to a major writer’s canon.Pub Date: Sept. 16, 2014
ISBN: 978-0-8112-2336-2
Page Count: 128
Publisher: New Directions
Review Posted Online: July 22, 2014
Kirkus Reviews Issue: Aug. 15, 2014
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by Genki Kawamura ; translated by Eric Selland ‧ RELEASE DATE: March 12, 2019
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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by Kathy Reichs ‧ RELEASE DATE: March 17, 2020
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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