On the evidence of his immense legacy in print, the late novelist Davies was a man of profound artistic appetite; this, the second posthumous collection of his criticism, shares the exuberant and casual erudition of the first (The Merry Heart, 1997). The material here, most of it previously unpublished, was culled by the author’s wife and daughter from his vast archive of speeches, interviews, articles, and errata, including excerpts from the copious diaries he kept throughout his life. Though the majority of pieces deal with the theater, Davies, like George Bernard Shaw, with whom he enjoyed much fruitful contact over the years, cultivated a dynamic relationship to music, and the ruminations on offer here attest to the depth of his engagement. Of Verdi’s Rigoletto and distaste for fine verse that would distract from his music, he provocatively notes that “the inferiority of what he made his librettists produce from the bleeding ruins of Macbeth and Othello is proof of his musical genius, but certainly not of his literary taste,” praising the crudity of its melodrama as essential to the composer’s intent. Elsewhere we encounter subtle observations on the psychology of folk music, the performance style of renowned pianist Benno Moiseiwitsch, for whose daughter the author held a deep affection, even a musical ghost story that Davies wrote for the Young People’s Theatre in Toronto. His remarkably droll humor is on display here, most notably in a letter, from fictional “necromantic suppliers” friars Bacon and Bungay, to Tanya Moiseiwitsch, director of the Stratford Festival Theatre in Davies’s native Canada, offering to sell the eclectic ingredients necessary to perform the famous witches’ scene in Macbeth, part of which was omitted during the festival’s 1962 production of that play. Lovingly collected, these scatterings of Davies’s singular talent are typically abundant and a welcome addition to a corpus like no other in contemporary literature.

Pub Date: July 1, 1998

ISBN: 0-670-88019-1

Page Count: 400

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 1998



This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996




An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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