Davies (Murther and Walking Spirits, 1991, etc.) deftly combines metaphysics, magic, and modern medicine to tell a contemporary story with ancient roots as he introduces healer and ``cunning man'' Jonathan Hullah. A ``cunning man,'' according to Robert Burton, the noted Arabist, ``will help almost all infirmities of body and mind.'' Hullah, as a doctor who deals with that ``realm where mind and body mingle,'' is Davies's point man for the book's major theme: the links between the mind and disease, the recognition that ``disease is the signal that comes late in the day, that a life has become hard to bear.'' Hullah, recently retired, prompted by a probing question from a young woman journalist who is writing a series of articles on old Toronto, narrates the story of his life as a modern ``cunning man.'' Set in that urbane part of Toronto where art, academe, and old money comfortably mingle, the novel also explores familiar Davies themes of friendship, faith, and art. The journalist wants to know the truth about Father Hobbes, the rector of St. Aidan's who died while celebrating Communion. The old man was rumored to be responsible for miraculous cures. Hullah, who was present at Hobbes's death but neglected to conduct an autopsy, recalls his own boyhood in the deep Canadian woods, where he was saved from death by a local shaman; his years at prep school, where he met the two great friends of his life, Brocky Gilmartin and Charlie Iredale; his decision to become a doctor; and the war experiences that led him to practice a unique form of healing. Hullah is a clever man, with many diverting friends, but it is his old friend Charlie, now a devout priest, whose confession most surprises him and best illustrates the ability of both Davies and his characters to conceal cunningly what lurks beneath the surface. Ideas, aphorisms, and wit are as evident as Davies's more teleological concerns, which all makes for a splendid intellectual romp as well as an absorbingly literate novel. Davies at his best. (Author tour)
Pub Date: Feb. 1, 1995
ISBN: 0-670-85911-7
Page Count: 480
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1994
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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