Readers looking for a front-row seat at Fashion Week will have to look elsewhere: Lacking glamour, devoid of thrills, this...
A first novel, from a former model who graduated from Yale, about a model who goes to Columbia .
When she leaves Wisconsin for Manhattan, Emily doesn’t just start a new life, she starts two (not entirely harmonious) new lives: as a student at Columbia and as a model. Like many a freshman, Emily packs on a few extra pounds during her first year of college, and her story has a similar weight problem. It’s bloated with inconsequential incident. Emily trudges from shoot to shoot. She does catalogues. She does advertising. She remains a nameless face. Emily takes exactly one turn on the runway, and it’s a disaster. As a lesson to aspiring young models seeking nonstop glamour and free couture, Emily’s tedious tale may have value. As entertainment, it’s a bust. A model who worked during the early late ’80s and early ’90s—during the days when models were first becoming “super”—Hazelwood might be expected to deliver a little dish. Sadly, she offers nothing more than generalized tittle-tattle—models do cocaine, models have eating disorders, models have plastic surgery—that will come as a surprise to no one who has any knowledge of the fashion world. As for Emily’s Columbia stint, it barely registers. School is mostly a scheduling conflict, and the only characters who challenge the ethics of Emily’s job are pitiful caricatures of political correctness, easily dismissed. Nothing in Emily’s education causes her to wonder if there’s an inherent connection between her choice of careers and the abuse—physical and emotional—she suffers pursuing it. When Emily finally decides that she’s had enough, her rebellion seems arbitrary: Why is listening to an Italian designer mock her cellulite worse than being sexually assaulted by her costar in a commercial or being drugged by an agent?
Readers looking for a front-row seat at Fashion Week will have to look elsewhere: Lacking glamour, devoid of thrills, this is the literary equivalent of a Sears catalogue.Pub Date: July 4, 2006
ISBN: 0-307-33718-9
Page Count: 400
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2006
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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