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DO-OVER!

IN WHICH A FORTY-EIGHT-YEAR-OLD FATHER OF THREE RETURNS TO KINDERGARTEN, SUMMER CAMP, THE PROM, AND OTHER EMBARRASSMENTS

Far from generating epiphanies, these “renovations” merely reinforce how nice it is to be an adult.

A 48-year-old writer chronicles his goofball quest to correct the perceived failures of his youth.

Hemley (Nonfiction Writing/Univ. of Iowa; Invented Eden: The Elusive, Disputed History of the Tasaday, 2003, etc.) undertakes a dubious immersion-journalism project in the form of “do-overs.” These attempts to repair the major emotional traumas of his childhood and adolescence involve revisiting the sites of his worst failures, from kindergarten to high school, summer camp to standardized testing. He couldn’t even scrounge up a prom date. But you’d think his privileged adult existence—published author, father of three, university professor—might snuff out memories of botched grade-school plays and junior-high bullies. Hemley, however, insists that he’s still bothered by these trivialities. Too bad, then, that the book’s conceptual gimmickry yields little more than the occasional entertaining anecdote, the obvious fish-out-of-water comedy inherent in someone pushing 50 trying to pass for a five-year-old, and a fitfully amusing travelogue, as the author lumbers from Sewanee, Tenn., to Osaka, Japan, trying to enlist unfortunate souls from his past in his geeky time-travel fantasies. Of course, Hemley’s had real traumas that hang like a mist over this revisionist endeavor: an ugly divorce, his late sister Nola’s schizophrenia and his father’s death at 51. A few relevant observations cut through the “gee, they sure did things differently in my day!” remarks, as when Hemley contrasts contemporary kids’ structured, monitored and medicated lives with the dog-eat-dog anarchism that characterized his own youthful social experiences. But the do-over with the most potential for dramatic tension—going to the senior prom with his high-school crush—falls flat.

Far from generating epiphanies, these “renovations” merely reinforce how nice it is to be an adult.

Pub Date: May 20, 2009

ISBN: 978-0-316-02060-2

Page Count: 336

Publisher: Little, Brown

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2009

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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