The first of three prequels to the popular Deptford Mice trilogy details the dark backstory of the malevolent feline mage Jupiter. But this tale’s hero (unusual for Jarvis) is human: young orphaned Will Godwin, adrift in the perilous London of 1664. On the run from a false accusation of murder, the boy falls into the clutches of the alchemist Elias Spittle. Virtually enslaved, kindhearted Will rescues a cat and her three newborn kittens, unwittingly triggering a tragic sequence of sorcery, betrayal, and violence. But the few sympathetic characters serve as little more than foils to the various villains, splendidly drawn, displaying all the hues and shades of evil. Spittle especially appears at first to be a mere caricature of vicious buffoonery; but plummeting from spite to necromancy to madness, he draws the cats inexorably into his diabolical descent. Jarvis’s florid, purple-tinged prose presents London—with her filthy alleys and crime-ridden alehouses, her overgrown cemeteries and plague-haunted streets—as a major player in the unfolding disaster. Meanwhile, ghastly revelations pile upon grisly tableaus as the plot hurtles towards a spectacular final conflagration amidst London’s Great Fire. A crackerjack creepfest. (Fantasy. 10+)
Pub Date: Oct. 1, 2004
ISBN: 1-58717-257-7
Page Count: 304
Publisher: SeaStar/Chronicle
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2004
Closer in tone to American Gods than to Coraline, but permeated with Bod’s innocence, this needs to be read by anyone who is...
Wistful, witty, wise—and creepy.
Gaiman’s riff on Kipling’s Mowgli stories never falters, from the truly spine-tingling opening, in which a toddler accidentally escapes his family’s murderer, to the melancholy, life-affirming ending. Bod (short for Nobody) finds solace and safety with the inhabitants of the local graveyard, who grant him some of the privileges and powers of the dead—he can Fade and Dreamwalk, for instance, but still needs to eat and breathe. Episodic chapters tell miniature gems of stories (one has been nominated for a Locus Award) tracing Bod’s growth from a spoiled boy who runs away with the ghouls to a young man for whom the metaphor of setting out into the world becomes achingly real. Childhood fears take solid shape in the nursery-rhyme–inspired villains, while heroism is its own, often bitter, reward.
Closer in tone to American Gods than to Coraline, but permeated with Bod’s innocence, this needs to be read by anyone who is or has ever been a child. (Fantasy. 10 & up)Pub Date: Sept. 30, 2008
ISBN: 978-0-06-053092-1
Page Count: 192
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2008
A pride-filled treatise and a charming riff on fairy tales.
After her parents’ sudden death, brown-haired, pale-skinned Jane is threatened with eviction from her family home.
Despite her low self-image, based on years of shallow, fatphobic taunts from her parents, Jane suggests a deal to discontented fisherman Peter, who’s thin and has blond hair and blue eyes (as well as being vapid and arrogant). They’ll marry, and then she can inherit her fortune, and he can enjoy the luxurious lifestyle he craves. It seems like a great plan, until Peter is taken captive and imprisoned underwater by a mermaid. The determined Jane seeks magical assistance and heads to the mermaid village at the bottom of the sea to retrieve Peter. Brosgol’s illustrations provide much of Jane’s characterization through her delightfully expressive face, which shines with pleasure and grimaces in disgust; her round eyes are alert to all the charms of the sea. Fortunately, she’s rescued by an acerbic, grumpily appealing seal, who educates her about the sea’s perils. This story is an explicit response to society’s valuing of beauty and contempt for its absence, especially when it comes to girls and women. Pitted against a slender, cruelly vain mermaid who weaponizes her looks, Jane emerges as a thoughtful, tenacious hero who’s learning to appreciate her own value. Brosgol redeems the occasional preachiness with her portrayal of Jane as an individual—funny, flawed, and triumphant.
A pride-filled treatise and a charming riff on fairy tales. (author’s note, beat boards, coloring process) (Graphic fantasy. 10-14)Pub Date: May 7, 2024
ISBN: 9781250314864
Page Count: 368
Publisher: First Second
Review Posted Online: Feb. 17, 2024
Kirkus Reviews Issue: March 15, 2024
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