This adaptation’s bewitching intrigues and enthralling deceptions will whet the daggers of any reader’s mind.

AS I DESCENDED

A group of high school students find themselves caught in a familiar spiral of vaulting ambition and direst cruelty in Talley’s 21st-century spin on Shakespeare’s bloody tragedy Macbeth.

Maria Lyon, a Latina senior at the private Acheron Academy on an old Virginia plantation, is second in her class and the school princess—one step down in success and popularity from its white queen bee, Delilah Dufrey. Lily Boiten, Maria’s white, driven girlfriend, who walks with crutches due to a childhood accident, hates that Delilah seems to receive everything Maria rightly deserves—in fact, she hates Delilah, period. The closeted couple desperately wishes to stay together when they graduate and go on to Stanford, a future that can only be assured if Maria wins the prestigious Cawdor Kingsley Award, which means eliminating Delilah. But whether through the influence of maliciously manipulative spirits—the legacy of the school grounds’ dark history as a site of enslavement—or that of the students’ own misguided aspirations, the fulfillment of Maria and Lily’s wish will destroy more than just Delilah, as each previously unthinkable act justifies the next in a frightening and ambition-fueled descent into corruption, betrayal, and death. Talley’s intense reimagining seamlessly weaves the contemporary motivations of a diverse teen cast together with classic guilt and mistrust in a devastating marriage of the stunningly unexpected with the maddeningly inevitable.

This adaptation’s bewitching intrigues and enthralling deceptions will whet the daggers of any reader’s mind. (Thriller. 14 & up)

Pub Date: Sept. 6, 2016

ISBN: 978-0-06-240923-2

Page Count: 384

Publisher: HarperTeen

Review Posted Online: June 1, 2016

Kirkus Reviews Issue: June 15, 2016

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This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

GIRL IN PIECES

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 4, 2016

Kirkus Reviews Issue: May 15, 2016

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Riveting, brutal and beautifully told.

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WE WERE LIARS

A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.

Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.

Riveting, brutal and beautifully told. (Fiction. 14 & up)

Pub Date: May 13, 2014

ISBN: 978-0-385-74126-2

Page Count: 240

Publisher: Delacorte

Review Posted Online: March 17, 2014

Kirkus Reviews Issue: April 1, 2014

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