Gigl uses her debut novel as a template, with diminishing returns.

SURVIVOR’S GUILT

A defense attorney takes on sex traffickers and child pornographers.

When a detective asks Erin McCabe to meet with a young woman accused of murder, he explains that he has two reasons. One is that, despite her admission of guilt, the detective thinks Ann Parsons is innocent. The second is that Ann is, like Erin, transgender. Her decision to represent Ann will end up putting Erin, her law partner, and her boyfriend in grave danger. And, as the action unfolds, she will also have to deal with her mother’s breast cancer and the knowledge that her boyfriend’s family won’t accept her. The setup is quite similar to that of Gigl’s debut, By Way of Sorrow (2021), as is the mix of legal thriller with interpersonal drama. Erin is an engaging protagonist surrounded by well-rounded secondary characters. But the emotional stakes here are less compelling, and the legal case is unsatisfying. In By Way of Sorrow, Erin was dealing with the fact that her brother and her father rejected her after she came out as trans, and she was negotiating a romance with a man who wasn't sure he could deal with her past. Watching Erin react to her mother’s illness slows the plot of this second book without revealing anything new about the protagonist and, here, that same boyfriend is almost too good to be true. The bad guys are also implausible. The idea of powerful people exploiting children is all too believable, but there’s something ridiculous about evil geniuses whose only response to a perceived threat is to just murder everybody. The emotional realism and the cartoon violence don’t fit together. The biggest issue, though, is the amount of information—about Ann Parsons and another key character—that Gigl keeps under wraps as the narrative unfolds. The reader never sees Erin asking—or even formulating—obvious and important questions about her client. To the extent that there are big reveals, they feel artificial and insufficient.

Gigl uses her debut novel as a template, with diminishing returns.

Pub Date: Jan. 25, 2022

ISBN: 978-1-4967-2828-9

Page Count: 352

Publisher: Kensington

Review Posted Online: Dec. 15, 2021

Kirkus Reviews Issue: Jan. 1, 2022

Did you like this book?

No Comments Yet

Well-done crime fiction. Baldacci nails the noir.

DREAM TOWN

An old-fashioned gumshoe yarn about Hollywood dreams and dead bodies.

Private investigator Aloysius Archer celebrates New Year’s Eve 1952 in LA with his gorgeous lady friend and aspiring actress Liberty Callahan. Screenwriter Eleanor Lamb shows up and offers to hire him because “someone might be trying to kill me.” “I’m fifty a day plus expenses,” he replies, but money’s no obstacle. Later, he sneaks into Lamb’s house and stumbles upon a body, then gets knocked out by an unseen assailant. Archer takes plenty of physical abuse in the story, but at least he doesn’t get a bullet between the eyes like the guy he trips over. A 30-year-old World War II combat veteran, Archer is a righteous and brave hero. Luck and grit keep him alive in both Vegas and the City of Angels, which is rife with gangsters and crooked cops. Not rich at all, his one luxury is the blood-red 1939 Delahaye he likes to drive with the top down. He’d bought it with his gambling winnings in Reno, and only a bullet hole in the windscreen post mars its perfection. Liberty loves Archer, but will she put up with the daily danger of losing him? Why doesn’t he get a safe job, maybe playing one of LA’s finest on the hit TV show Dragnet? Instead, he’s a tough and principled idealist who wants to make the world a better place. Either that or he’s simply a “pavement-pounding PI on a slow dance to maybe nowhere.” And if some goon doesn’t do him in sooner, his Lucky Strikes will probably do him in later. Baldacci paints a vivid picture of the not-so-distant era when everybody smoked, Joe McCarthy hunted commies, and Marilyn Monroe stirred men’s loins. The 1950s weren’t the fabled good old days, but they’re fodder for gritty crime stories of high ideals and lowlifes, of longing and disappointment, and all the trouble a PI can handle.

Well-done crime fiction. Baldacci nails the noir.

Pub Date: April 19, 2022

ISBN: 978-1-5387-1977-0

Page Count: 432

Publisher: Grand Central Publishing

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

Did you like this book?

Perhaps A-list screenwriters will be able to spin TV gold from this sketchy treatment.

THE LIONESS

An actress and her entourage are kidnapped by Russians in Bohjalian’s uneven thriller.

In 1964, Hollywood’s gossip rags are agog as movie star Katie Barstow marries gallerist David Hill and takes her inner circle along on her honeymoon. And an adventuresome honeymoon it is—on safari in the Serengeti with aging big-game hunter Charlie Patton, who once helped Hemingway bag trophies. But Katie is not the star of this ensemble piece. The populous cast—a who’s who at the beginning is indispensable—includes Katie’s publicist, Reggie Stout; her agent, Peter Merrick; her best friend, Carmen Tedesco, a supporting actress who plays wisecracking sidekicks; and Terrance Dutton, Katie's recent co-star, a Black actor who's challenging Sidney Poitier's singularity in Hollywood. With obvious nods to Hemingway’s worst fear—masculine cowardice—Bohjalian adds in Felix Demeter, Carmen’s husband, a B-list screenwriter who reminds his wife of Hemingway’s weakling Francis Macomber. Felix seems a superfluous double of David, who feels inadequate because Katie is the breadwinner and his father is CIA. Then there’s Katie’s older brother, Billy Stepanov, whose abuse at the hands of their mother shaped the psychologist he is today; Billy’s pregnant wife, Margie; and Benjamin Kikwete, an apprentice safari guide. Thus, a proliferation of voices whose competing perspectives fragment rather than advance the story. The kidnapping plot seems less designed to test each character’s mettle than to exercise Bohjalian’s predilection for minute descriptions of gore. The most heartfelt portrayal here is of the Serengeti and its flora and fauna, but none of the human characters net enough face time to transcend their typecasting. The motives behind the kidnapping might have lent intrigue to the proceedings, but foreshadowing is so slight that the infodump explainer at the end leaves us shocked, mostly at how haphazard the plot is.

Perhaps A-list screenwriters will be able to spin TV gold from this sketchy treatment.

Pub Date: May 10, 2022

ISBN: 978-0-385-54482-5

Page Count: 336

Publisher: Doubleday

Review Posted Online: Feb. 9, 2022

Kirkus Reviews Issue: March 1, 2022

Did you like this book?

No Comments Yet
more