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TWENTY CHICKENS FOR A SADDLE

THE STORY OF AN AFRICAN CHILDHOOD

A colorful, occasionally shocking fish-out-of-water memoir.

Vigorous recollections of a youth spent among “profoundly fringy” adults “in the middle of nowhere.”

Scott moved with her idiosyncratic parents from New Zealand to Botswana in 1987, when she was almost seven years old. In minute detail, she sketches the landscape, the people she encountered and the innumerable problems that beset her family. She paints her wanderlust-stricken parents as singular human beings with a deep desire to avoid mundanity at any cost. Her father was “an accidental doctor”: Cape Town University in his native South Africa didn’t offer courses in his preferred field, veterinary medicine, so he had to settle for ministering to human beings. His wife, who grew up in Botswana, shared his belief in alternative medicine and home schooling. Together they roved from London to Cape Town to Auckland before settling with their three children in Botswana. Right next door was inimitable Grandpa Ivor, a World War II veteran of the South African Air Force, pressed into service to fly his son to the area’s remote bush clinics until Dad got a pilot’s license. Granny Joan and Grandpa Terry, Mum’s parents, also played key roles in the author’s life. Following some brief passages explaining her parents’ globetrotting exploits, Scott unleashes astonishing stories about her Botswana childhood: Their first residence was a dilapidated cowshed; the cow died from eating plastic bags; her dad sometimes drank his own urine, etc. After the family moved to their own farm in the early ’90s, home schooling gave way to a conventional education, which the author describes as “boring.” (It would be, compared to her family.) The book’s most moving passages delineate her tireless father’s heroic adventures as an ill-equipped doctor. They range from an extraordinary tale about a man who somehow inserted a ten-centimeter-long snake’s tail into his penis to accounts of the author’s mercurial, ceaselessly inventive work with AIDS patients.

A colorful, occasionally shocking fish-out-of-water memoir.

Pub Date: April 10, 2008

ISBN: 978-1-59420-159-2

Page Count: 464

Publisher: Penguin Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2008

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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