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A STAR CALLED HENRY

Absolutely extraordinary. Readers who thought Doyle had outdone himself with the deftly juxtaposed comedy and drama in his...

            The much-loved Irish author (The Woman Who Walked Into Doors, 1996, etc.) breaks impressive new ground with this masterly portrayal of the making of an IRA terrorist – the first volume of a projected trilogy entitled The Last Roundup.

            In the vigorous colloquial voice that has become Doyle’s trademark, Henry Smart (b.  1901) narrates the fractious events of his 20 years, beginning with the unlikely courtship of his teenaged mother, (the ironically named) Melody Nash, by Henry’s father and namesake, a one-legged boozer who works as a bouncer (and hired killer) for Dublin madam Dolly Oblong and unseen criminal impresario Alfie Gandon.  In a lustily detailed story of want and woe that easily outdistances Angela’s Ashes, Henry Sr. is betrayed to the police, Melody lapses into premature senility, and five-year-old Henry, accompanied by younger brother Victor, becomes a resourceful “street arab.”  A handsome, strapping lad who learns quickly and adapts easily to violently shifting circumstances, Henry survives and, in a way, prospers – as a member of the ragtag “Irish Citizen Army” (during the vividly described Easter Monday 1916 cataclysm), a dockworker, the precocious lover of many women (including his teacher, later his wife, the fiery nationalist he will know only as “Miss O’Shea”), and IRA gunman and murderer and a trusted protégé of Michael Collins, and – in the stunning climactic pages – his father’s avenger.  Throughout, Doyle manages the virtually impossible feat of mingling Ireland’s dark and bloody early modern history with his brilliantly imagined protagonist’s own amazing story:  never for a moment do we feel we’re being given a history lesson, nor does Henry’s forthright amorality relax its firm hold on us.

            Absolutely extraordinary.  Readers who thought Doyle had outdone himself with the deftly juxtaposed comedy and drama in his recent fiction will be amazed and delighted all over again.

Pub Date: Sept. 1, 1999

ISBN: 0-670-88757-9

Page Count: 352

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1999

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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